Italian excellence has always thrived on mutual influence, a cycle that may seem imperfect and addressed to different audiences, yet remains the soul of a shared culture and philosophy of life.
Art functions as a mirror of its time, a photographic record of an era, where fashion—understood as clothing—allows us to place the subjects of a work within both physical and temporal space.
To the more attentive observer, it becomes clear that fashion itself, in the fabrics and lines, is a product of contemporary artistic thought, often anticipating what the imminent future will bring.
This dialogue has long been inherent in the poets of applied arts, yet we rarely notice how this magnificent contamination can manifest visibly in daily life.
Bressani, through his Sculture Vestite, achieves precisely this. Composed of deconstruction and reconstruction, where the very skin and raw material of the sculptures are the garments of art conceived by other souls before him, his singular reassemblies make tangible what had once only been imagined, granting Fashion a concrete artistic value.
His sculptures become eternal moments to be lived during one of the most significant occasions in a woman’s life, the birth of a new family.
The Skultoflower © breathe life into bridal bouquets that are light, elegant, yet full of character and the lived experience of two souls entrusted with the gift of creating beauty.
The fabrics of Lascari transform into petals shaped by Bressani’s hands and scissors; the embroidery of haute couture dresses, caressing the bride on her most beautiful day, becomes eternal points of strength and tension within Bressani’s sculptural bouquet.
The delicate, fragile flower attains the timelessness of noble materials such as marble and bronze, retaining that precious, familiar sensation to the touch—warmth, fragrance, memory.
It is a flower that can regenerate with each sunrise, a symbol of the gift of life and the awareness that joy and love can bloom anew every day.
Through this creation, the bride of Lascari receives a refined and eternal gift—one that only Bressani could bring to full bloom.

Serena Mormino
Curator and Art Critic
Curator MUSEO DEL PARCO
International Open-Air Sculpture Center, Portofino
President, AMARTE Cultural Association