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Stefano Bressani honored in Matera as “Uomo Illuminato”
29 January 2019

Stefano Bressani honored in Matera as “Uomo Illuminato”: art, sensitivity, and social vision
In the heart of Matera, among the city’s ancient Sassi and its millennia-old memory carved in stone, artist Stefano Bressani received a prestigious recognition: the title of “Uomo Illuminato” (“Enlightened Man”), awarded during a ceremony promoted by the Stati Generali delle Donne.
The event took place on January 25 at the former San Rocco Hospital — a historic and symbolic venue transformed into a cultural celebration space for the occasion. The award was presented by Marilena Antonicelli, Councillor for Equal Opportunities, in the presence of local authorities, artists, and cultural figures.

An award that celebrates art as a vehicle of sensitivity and inclusion
The title of Uomo Illuminato was conferred by a scientific committee of thirty members, recognizing not only Bressani’s artistic talent but also the ethical and symbolic depth of his research. His renowned Sculture Vestite, made from used garments and recycled textiles, tell stories of humanity and transformation, restoring dignity and visibility to the feminine identity.
According to the official citation, the artist “weaves stories through fabric, blending craftsmanship and sensitivity into an expression that captures the essence of the feminine in moments of infinity.” The textile thus becomes a living material — one that narrates emotion, memory, and fragility in a language that transcends the visible.
Art as an ethical space: Bressani’s vision
During the event, moderated by Isa Maggi, President of Stati Generali delle Donne, Bressani shared a profound reflection: “Human sensitivity, more than gender difference, is the foundation of every true dialogue.” His words reinforced the idea of art not merely as formal beauty, but as an instrument of empathy, inclusion, and change.
In this sense, the recognition received in Matera represents an act of cultural activism, affirming the artist’s role as a conscious interpreter of his time.
A deep dialogue with the city of the Sassi
Bressani’s stay in Matera had a strong emotional impact. Struck by the city’s “upside-down architecture” — carved downward into the rock — he found a parallel with his own creative process. His sculptures, too, are “excavated” by subtraction, carved into fabric like grooves of memory.
From this resonance was born the idea for a Progetto d’Opera inspired by Matera, blending the city’s identity with the artist’s unique language in a dialogue between landscape, memory, and contemporary vision.
Conclusion: a recognition that transcends aesthetics
The award conferred on Stefano Bressani goes beyond personal celebration: it is a powerful statement of how art can serve as a tool of social awareness. In Matera — European Capital of Culture — this gesture takes on even deeper meaning, positioning the artist as a “citizen of the world.” A creator capable of transforming beauty into awareness, and of giving back, through his fabrics and sensitivity, meaning and color to the complexity of our time.

