BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Stefano Bressani - ECPv6.15.11//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Stefano Bressani X-ORIGINAL-URL:https://stefanobressani.com/en/ X-WR-CALDESC:Events for Stefano Bressani REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20100328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20101031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20110327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20111030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20120325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20121028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20130331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20131027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20140330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20141026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20150329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20151025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20160327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20161030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20170326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20171029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20180325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20181028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20261025T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210904T080000 DTEND;TZID=Europe/Rome:20210910T170000 DTSTAMP:20260916T175707 CREATED:20250717T071626Z LAST-MODIFIED:20251013T153806Z UID:5523-1630742400-1631293200@stefanobressani.com SUMMARY:Dressing Depero by Stefano Bressani at Milan Design Week DESCRIPTION:Dressing Depero by Stefano Bressani at Milan Design Week 2021\nDressing Depero by Stefano Bressani is the title of the work presented at the 2021 Milan Design Week: a visceral tribute to the Futurist vision\, between sculpture\, fashion\, and material. \n“Dressing Depero”: when art dresses in the future\nDuring Milan Design Week 2021\, the Expowall Gallery hosted an artistic project capable of breaking boundaries between art\, fashion\, and design. With Dressing Depero\, Stefano Bressani reinterprets the iconic figure of L’Omino che Beve by Fortunato Depero\, transforming it into a three-dimensional work of striking visual and conceptual impact. \nIt is not merely a homage to Futurism\, but a genuine dialogue between eras\, languages\, and masters: a work in which the present dresses the past and projects it toward new forms of expression. \nRead “The theater of appearance (Homage to Depero)” by Robert Phillips \n  \n \nWhen art wears fabric\nIn Dressing Depero\, Bressani makes a radical gesture: he dresses the Futurist figure with his unmistakable Sculture Vestite technique\, transforming a twentieth-century icon into a sartorial artifact that unites form\, matter\, and concept. \nFabric — the artist’s chosen medium — becomes a language. Every fold\, every weave tells not only of aesthetics but of a profound reflection on identity\, transformation\, and the narrative power of material. \nThe object is no longer just an object: it becomes an experience\, a visual performance\, a living artistic act. \nA bridge between tradition and innovation\nThe strength of this work lies in its balance: the lightness of fabric meets the energy of Futurism; the precision of form embraces Bressani’s creative freedom. \nIn this fusion\, art is no longer representation but environment — no longer static\, but a living coexistence of past and present. Fabric\, like the artist’s vision\, is in constant motion. \nGiovanni Gastel’s photography: art within art\nAdding further significance to this tribute is the collaboration with Giovanni Gastel\, master of Italian photography\, who captured and immortalized the essence of the work in a timeless shot. \nThe result is a photograph that is both document and poetry — an iconic portrait that forever seals the encounter between two visions\, two generations\, two artistic worlds. \nRead “Letter to Giovanni Gastel” \nBeyond design: a declaration of intent\nDressing Depero is not merely an artistic project; it is a poetic statement. An invitation to go beyond the limits of the familiar\, to play with matter\, to merge disciplines\, to dress art in new perspectives. \nThrough his work\, Bressani reminds us that true art is born from the courage to reinvent oneself\, from fidelity to one’s roots\, and from the will to shape the present through the memory of the past. A creative journey made of intuition\, technique\, vision\, and passion. URL:https://stefanobressani.com/en/evento/dressing-depero-by-stefano-bressani-at-milan-design-week/ LOCATION:Expowall Gallery\, Via Curtatone\, 4\, 20122 Milano MI\, Milano\, Italy CATEGORIES:Milan ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/Main-25.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210830T080000 DTEND;TZID=Europe/Rome:20210904T170000 DTSTAMP:20260916T175707 CREATED:20250715T091659Z LAST-MODIFIED:20251013T154958Z UID:5533-1630310400-1630774800@stefanobressani.com SUMMARY:Stefano Bressani and the Enduro ISDE Italy 2021 Award DESCRIPTION:Stefano Bressani and the Enduro ISDE Italy 2021 Award\nStefano Bressani – Enduro ISDE Award 2021: a unique union between art and sport\, taking center stage at the 95th International Six Days of Enduro (ISDE) World Championship\, held from August 30 to September 4\, 2021\, across Lombardy and Piedmont. \n  \n \n\nAn artistic award for the Enduro World Championship\nFor the first time in Enduro history\, the top-ranked club from the host nation received an exceptional recognition: the Italian Club Trophy – Regione Lombardia Award\, conceived and created by artist and off-road motorcyclist Stefano Bressani. This collaboration celebrates the shared passion and dedication that unite contemporary art and the world of off-road racing. \n“Riders’ heads”: the art of focus and strength\nBressani is known for his innovative sculptures\, the Riders’ Heads\, first exhibited in 2014 at the National Automobile Museum of Turin and featured as the prize for the fastest rider of the Pavia–Venice Raid.The 1950s leather helmet and futuristic mask evoke a journey through history and the future\, conveying the energy\, tension\, and sacrifice typical of Enduro. \nA symbolic and chromatically evocative work\nThe award made its debut in Portimão\, Portugal\, featuring a color palette that blends metallic and solar hues — gray and yellow — inspired by Pantone 2021 tones and by nature. The result is a living artwork\, capable of expressing emotion\, competition\, and innovation. \nArt and motorcycling: a profound connection\nBressani’s artistic vision transforms his creations into universal symbols of control\, strength\, and adrenaline\, embodying the very essence of off-road motorcycling. The Italian Club Trophy is much more than a prize — it is a manifesto of how creativity and passion can intertwine\, transcending the boundaries between two seemingly distant worlds. \n  URL:https://stefanobressani.com/en/evento/stefano-bressani-and-the-enduro-isde-italy-2021-award/ LOCATION:Rivanazzano Terme CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2021-ISDE-ITALIA-LOCANDONA-A-main-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210602T080000 DTEND;TZID=Europe/Rome:20240602T170000 DTSTAMP:20260916T175707 CREATED:20250724T072222Z LAST-MODIFIED:20251014T072221Z UID:5537-1622620800-1717347600@stefanobressani.com SUMMARY:Raid Pavia–Venice: Bressani crowns the winners with his “Artist Heads” DESCRIPTION:From art to speed: the “Artist Heads” by Stefano Bressani crown the champions of the Pavia–Venice Raid\nIn the evocative silence of Venice’s Arsenale Basin — once the beating heart of the Serenissima’s naval power — a different kind of grandeur is celebrated today: that of human gesture\, competition\, and art. \nFrom 2021 to 2024\, artist Stefano Bressani from Pavia has woven together art\, sport\, and history\, creating an award that goes beyond the concept of a trophy: a symbolic artwork\, a contemporary icon celebrating humankind and its drive to surpass itself. \nA partnership between art and speed\nBorn from the Pavia–Venice International Motorboat Raid\, the oldest and most fascinating inland water race in Italy\, the Coppa Teo Rossi di Montelera has been reinterpreted by Bressani through a language that unites speed\, beauty\, material\, and spirituality. \nThe stages of an artistic journey 2021–2024\n2021 – “The cup wears the color of water”\nWith his Artist Head – Rider’s Head\, Bressani inaugurates a new chapter. The human head — symbol of thought and technique — becomes a Scultura Vestita\, clothed in fabrics and mixed materials\, embodying water\, the primordial element of the Raid. Venice\, a city that has already hosted Bressani’s prestigious exhibitions\, welcomes this new creation with waves and applause. \n \n2023 – “The cup wears the reflections of water”\nFor the 70th anniversary of the Raid\, Bressani returns with a chrome-finished sculpture that captures and reflects sunlight\, like water beneath the propellers. Though dated 2022 — a delay caused by drought — the work carries a message of resilience: art and passion always find a way to surface\, even amid uncertainty. \n \n2024 – “The cup wears the colors of the Italian flag”\nFor the 71st edition\, on Italy’s Republic Day (June 2)\, the Italian Rider’s Head displays the tricolor hues\, set upon a fir-wood base — a symbol of nature\, recycling\, and sustainability.An artistic gesture merging athleticism\, national pride\, and ecological awareness. \n \nThe “Sculture Vestite”: a human epic\nThe Artist Head – Rider’s Head is not merely a prize\, but an intimate portrait of humanity. Bressani’s Sculture Vestite evoke emotions\, memories\, dreams\, and visions through textile fragments\, vibrant colors\, and dynamic geometries.\nThrough these works\, the artist expresses the ordered chaos of competition — that intersection where heart and reason meet.\nThese awards celebrate not only the fastest but also the indomitable spirits who race against time\, fatigue\, and uncertainty. Like the Pavia–Venice Raid itself\, they unite distant worlds: art and engines\, contemplation and adrenaline\, elegance and power. \nConclusion: art that unites\nFrom 2021 to 2024\, Stefano Bressani has transformed the Pavia–Venice Raid into an aesthetic narrative. In every Artist Head\, one perceives the courage to take risks\, to be carried by wind and speed — and by thought. \nBecause\, as Bressani reminds us\, \n true victory is not only about finishing first\, but about leaving an indelible mark. \n\n  \nPlaylist Video URL:https://stefanobressani.com/en/evento/raid-pavia-venice-bressani-crowns-the-winners-with-his-artist-heads/ LOCATION:Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2023-RAID-PV-VE-FOTO-B.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210329 DTEND;VALUE=DATE:20210330 DTSTAMP:20260916T175707 CREATED:20250718T074452Z LAST-MODIFIED:20251016T094234Z UID:5543-1616976000-1617062399@stefanobressani.com SUMMARY:The Sant’Ambrogio Bell by Stefano Bressani in Milan DESCRIPTION:The Sant’Ambrogio Bell by Stefano Bressani in Milan\nIn the heart of Milan\, where tradition meets modernity\, stands a work that celebrates a universal message: justice\, beauty\, and rebirth. The Sant’Ambrogio Bell\, signed by Stefano Bressani—known as The Tailor of Art—is much more than a sculpture: it is a profound call to spirituality and balance. \nA saint dressed in art\nWith his Sculture Vestite technique\, Bressani reinterprets the figure of Saint Ambrose\, transforming him into a symbol of justice and mercy. Fabric\, color\, and volume intertwine in a powerful and contemporary visual language\, capable of speaking even to those unfamiliar with the Saint’s story. \nA cultural journey through the heart of Milan\nThe work was the centerpiece of a citywide event held from March 29 to Easter Sunday\, a date coinciding with the anniversary of the Saint’s death (April 4\, 397). The project involved symbolic locations such as Piazza Duomo\, Castello Sforzesco\, and the Pinacoteca di Brera\, creating an itinerary designed to awaken Milan’s artistic sensitivity. \nThe sound of the bell and the symbolic gesture\nAt the heart of the work is the bell: not just a physical object\, but a sound and a symbol. It calls for reflection on justice\, represented by the book that Saint Ambrose holds on the scales—an emblem of balance between good and evil\, authority and compassion. \nThe nail and the cross: recurring symbols\nThe nail\, a distinctive mark in Bressani’s works\, becomes here the pivot holding together the world’s contradictions. The Christian cross\, meanwhile\, transforms into a message of hope\, projected ideally toward infinity. \nA message for Milan and the world\nThe project is accompanied by a documentary video narrated by Vittorio Sgarbi\, inviting viewers to look beyond the surface to grasp the deeper values the work conveys. \n  \n\n  \nBeauty is useful; it’s not a romantic idea. Beauty helps make people better and can change the world. True beauty can save us all\, Milanese or not\, one by one. \n— Renzo Piano\n\nThe Sant’Ambrogio Bell by Stefano Bressani thus becomes a symbol of hope\, justice\, and renewal. A work that speaks to the city and to the world\, suggesting that beauty truly has the power to transform reality. \n  \n\n  \n  URL:https://stefanobressani.com/en/evento/the-santambrogio-bell-by-stefano-bressani-in-milan/ LOCATION:Pinacoteca di Brera\, Via Brera\, 28\, 20121 Milano MI\, Milano\, Italy CATEGORIES:Milan ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-27.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210221 DTEND;VALUE=DATE:20210222 DTSTAMP:20260916T175707 CREATED:20250714T084912Z LAST-MODIFIED:20251014T073405Z UID:5554-1613865600-1613951999@stefanobressani.com SUMMARY:Bressani guest of the Italian Consulate in New York DESCRIPTION:Stefano Bressani at the Italian Consulate in New York: art and Italian identity in the city that never sleeps\nNew York—the city that never sleeps\, capital of art and dreams. It was here that Stefano Bressani\, the Pavia-born artist known for his Sculture Vestite\, was welcomed by the Italian Consulate for an encounter uniting art\, diplomacy\, and identity. \n  \n \nMeeting with Consul General Francesco Genuardi\nOn February 21\, 2019\, Bressani was received by Consul General Francesco Genuardi\, thanks to his friendship with tenor Vittorio Grigolo. The Italian Consulate in New York\, located in the heart of Manhattan\, thus became a crossroads of Italian culture\, diplomacy\, and innovation. \nAn artistic tribute between past and sustainability\nDuring Genuardi’s tenure\, the Consulate has been more than a formal institution—it has become a vibrant cultural hub. Among its initiatives\, Bressani’s tribute stands out: a work inspired by Michelangelo’s David\, created from recycled clothing. This gesture builds a bridge between the Renaissance\, sustainability\, and contemporary art. \nA vision of art and memory\nIn the quiet of the institutional halls\, Stefano Bressani brought his vision to the Consulate: fabric\, memory\, and identity in dialogue with history. The meeting marks the beginning of a possible solo exhibition in the diplomatic headquarters on Fifth Avenue. \nFuture perspectives and Italian identity\nThe experience at the Italian Consulate in New York represents a key milestone in Bressani’s career. The city rewards innovation and authenticity—and it may not be long before his works find a place within the halls of the MoMA. \n  URL:https://stefanobressani.com/en/evento/bressani-guest-of-the-italian-consulate-in-new-york/ LOCATION:New York CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2019-NEW-YORK-CONSOLATO-ITALIANO-FOTO-B-1-e1752483613169.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201001 DTEND;VALUE=DATE:20201002 DTSTAMP:20260916T175707 CREATED:20250715T083133Z LAST-MODIFIED:20251016T094343Z UID:5557-1601510400-1601596799@stefanobressani.com SUMMARY:Bressani enchants Lugano with Picasso ReLOADED DESCRIPTION:Bressani enchants Lugano with Picasso ReLOADED\nBressani Picasso ReLOADED Lugano: an unforgettable evening at the Hotel Splendide Royal\, where art\, elegance\, and memory meet in refined dialogue. The Italian artist presented the Picasso ReLOADED project alongside the launch of Excellence Fine Art Magazine. \n  \n \nArt and style in the heart of Lugano\nAt the Hotel Splendide Royal—one of Lugano’s most prestigious hotels—art came to life in an event that fused tradition and contemporaneity. “The tailor of art\,” Stefano Bressani\, presented Picasso ReLOADED\, his new exhibition project inspired by the Spanish genius. \nThe occasion also marked the editorial debut of Excellence Fine Art\, a new international magazine dedicated to art and beauty\, distributed in the most exclusive hotels and clubs around the world. \nThe Splendide Royal: elegance and memory\nWith over 130 years of history\, the Splendide Royal stands as a symbol of excellence. It has hosted presidents\, artists\, intellectuals\, and historical figures. Its refined atmosphere offered the perfect setting for an event celebrating not only art\, but also the culture of hospitality and good taste. \nA project between genius and vision\nWith Picasso ReLOADED\, Bressani offers a personal and tactile interpretation of the twentieth-century master. His Sculture Vestite\, crafted with sartorial fabrics\, become expressive tools to reinterpret Picasso’s visual language through a contemporary lens. \nDuring the evening—hosted by Angela Tuccia—the audience experienced a true artistic performance\, surrounded by works that evoke a beauty capable of stirring emotion and reflection. \nExcellence Fine Art: the magazine\nExcellence Fine Art Magazine debuts with a print run of 15\,000 copies and a selective distribution across luxury venues. An editorial project that brings together artists\, collectors\, and enthusiasts of authentic\, visionary art. \nAn event that leaves a mark\nThe meeting between Bressani’s art and the Splendide Royal’s legacy created a memorable experience—an event uniting emotion\, thought\, and beauty\, leaving a profound impression on the Swiss and international art scene. \n  URL:https://stefanobressani.com/en/evento/bressani-enchants-lugano-with-picasso-reloaded/ LOCATION:Hotel Splendide Royal Lugano\, Riva Antonio Caccia 7\, 6900 Lugano\, Svizzera\, Lugano CATEGORIES:Lugano ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-23.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20200403 DTEND;VALUE=DATE:20200404 DTSTAMP:20260916T175707 CREATED:20250715T081335Z LAST-MODIFIED:20251014T074417Z UID:5560-1585872000-1585958399@stefanobressani.com SUMMARY:CGTN visits Bressani: art that connects China and Italy DESCRIPTION:CGTN visits Stefano Bressani: art that connects China and Italy\nCGTN visited Stefano Bressani’s studio in Pavia—a journey beyond the interview\, between sculpture\, emotion\, and shared memory\, discovering the textile art that bridges East and West. \n  \n \nAn immersive experience between art and culture\nIn the heart of Stefano Bressani’s studio\, art becomes experience. The Italian crew of the China Global Television Network (CGTN) explored his creative space to narrate a universe made of fabrics\, forms\, and visual storytelling. \nSculture Vestite: emotion and form\nThe Sculture Vestite astonish with their delicacy and strength. The fabrics seem to come alive\, defying stillness\, speaking of both tradition and innovation. For CGTN\, it was more than an artistic encounter—it was a deep dialogue between material\, technique\, and emotion. \nA symbolic bridge between East and West\nThe visit offered an opportunity to reflect on the connection between Chinese textile art and Bressani’s creations. Just as silk once traveled along the Silk Road\, carrying cultures and stories\, so Bressani’s works weave together memory and vision\, transforming fabric into living sculpture. \n  \n\nTradition\, spirituality\, and innovation\nFabric—laden with symbolism in both cultures—becomes a shared language. The Sculture Vestite do not merely decorate: they speak\, communicate\, and evoke. An art form that moves between identity and contemporaneity. \nThe beginning of a new cultural exchange\nThe meeting with CGTN was not just a television feature—it was the beginning of an authentic dialogue between Italian contemporary art and the Chinese public\, a bridge made of emotion\, fabric\, and shared vision. \n  URL:https://stefanobressani.com/en/evento/cgtn-visits-bressani-art-that-connects-china-and-italy/ LOCATION:Pavia CATEGORIES:Pavia ATTACH;FMTTYPE=image/png:https://stefanobressani.com/wp-content/uploads/2025/07/Screenshot-2025-07-15-alle-10.22.12.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20191124T080000 DTEND;TZID=Europe/Rome:20200329T170000 DTSTAMP:20260916T175707 CREATED:20250710T101231Z LAST-MODIFIED:20251014T074823Z UID:5564-1574582400-1585501200@stefanobressani.com SUMMARY:Looking for Monna Lisa in Pavia: art and mystery DESCRIPTION:Looking for Monna Lisa in Pavia: art\, mystery\, and contemporary visions\nThere is a gaze that endures through centuries—observing without judgment\, guarding secrets behind a faint smile. It is the gaze of the Monna Lisa\, the most enigmatic face in art history\, an eternal symbol of Leonardo da Vinci’s genius. Five hundred years after his death\, Pavia pays homage with Looking for Monna Lisa\, a widespread\, emotional\, and contemporary exhibition. \nCurated by Valerio Dehò and promoted by the Municipality of Pavia with the support of the Fondazione Banca del Monte di Lombardia\, the show transforms the city into an open-air gallery: from the Church of Santa Maria Gualtieri to the Broletto\, from the Visconti Castle to the Town Hall Square. Each location becomes a stop along a journey through identity\, femininity\, memory\, and the gaze. \n \nA myth that continues to reinvent itself\nWho was Monna Lisa\, really? A Florentine lady? A Lombard noblewoman? Or perhaps\, as the immersive installation Monna Lisa who? by Karmachina and Studio Dune suggests\, the mysterious Isabella of Aragon? Beyond her historical identity\, it is the mystery that captivates—and it is this very enigma that inspired the 39 international artists featured in the exhibition. \nThe more than 40 works offer pop\, conceptual\, ironic\, and critical interpretations of the world’s most famous face. Monna Lisa multiplies\, disguises herself\, fades\, and reinvents her image. Alongside the collages of Jiri Kolar\, the reflections of Vettor Pisani\, the provocations of Orlan\, and the wit of Ben Vautier\, stands one of the most intimate and original works: La GIOKONDA by Stefano Bressani. \nLa GIOKONDA by Stefano Bressani: a living and poetic tribute\nIt is not a mere reinterpretation—it is an encounter. With La GIOKONDA\, Stefano Bressani transforms Leonardo’s icon into a living body made of fabric\, memory\, and humanity. The famous Monna Lisa remains recognizable\, yet transformed. Her face\, composed of recycled fabrics\, tells silent stories—emotions stitched with the care of one who listens to matter itself. \nThe “K” in the title—GIOKONDA—is more than a graphic choice: it is a deliberate break\, a playful gesture that becomes both artistic and symbolic. A declaration of love for the original\, yet also an act of creative freedom. \nIn Bressani’s language\, fabric is not merely aesthetic material—it is flesh\, skin\, and spirit. The garment of the work becomes a living body\, a symbol of womanhood and its connection to nature. The flowing blue hair evokes the sea and the feminine archetype\, while the leaves adorning her head speak of rebirth and awareness. \nHer gaze does not follow us—it questions us. It does not seek reassurance\, but invites inquiry. Who are we? What do we see? Are we truly ready to look? \n\nAn art to live\, not merely to contemplate\nLike all of Bressani’s Sculture Vestite\, La GIOKONDA is meant to be close—not confined to a museum\, but ready to inhabit our homes and our lives. A presence that changes with us\, that watches\, accompanies\, and reminds us that beauty is never static but a continuous rebirth. \nWith this poetic gesture\, Bressani brings Leonardo to life once more. And the Gioconda still looks upon us—with new eyes. \n  URL:https://stefanobressani.com/en/evento/looking-for-monna-lisa-in-pavia-art-and-mystery/ LOCATION:Castello visconteo\, Pavia\, Italy CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/main-19.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20190622 DTEND;VALUE=DATE:20190623 DTSTAMP:20260916T175707 CREATED:20250710T104300Z LAST-MODIFIED:20251016T094531Z UID:5568-1561161600-1561247999@stefanobressani.com SUMMARY:Skultoflower Maliumbas Black Ball in Venice – Art Night 2019 DESCRIPTION:Skultoflower Maliumbas Black Ball: art and memory in Venice for Art Night 2019\nA black flower that speaks of the future\nOn June 22\, 2019\, during Art Night Venezia\, the Arsenale pulsed with a visionary energy — an art capable of merging past and future\, protest and poetry. In the heart of \nSpazio Thetis\, an international hub of contemporary art\, Italian artist Stefano Bressani unveiled his monumental work Skultoflower Maliumbas© Black Ball\, in a performance destined to leave a lasting mark on collective memory. \nThe evening was part of the group exhibition FRIENDS – Artists\, curators & gallerists\, which accompanied the 58th Venice Art Biennale and the opening of the Venice Boat Show. A diverse and international audience was guided through an immersive experience of art\, industrial memory\, ecological reflection\, and theatricality. \n \nA poetic sculpture between protest and beauty\nBressani’s work\, part of his Skultoflower series\, unites strength and fragility: a black flower\, wrapped in synthetic fabrics derived from petroleum\, rising from a structure that evokes the industrial past of the Arsenale. \nAt its core\, the Black Ball embodies a symbolic short circuit — beauty contaminated\, nature wounded\, yet still capable of redemption through art. Made of synthetic fiber\, the sculpture denounces with grace the consequences of consumerism\, transforming the very material of pollution into an aesthetic and ethical gesture. \n\n  \n\nA collective ritual of word\, light\, and memory\nThe Piazzale Beverly Pepper became the stage for a ritual performance in which laser lights\, vapor\, and virtual sparks evoked the craft of Venetian blacksmiths\, restoring dignity and poetry to the space. The performance featured the voice of Stefania Rusconi\, reciting verses by Giulia Birolini\, creating a vibrant dialogue between word and matter. \nCurator Robert C. Phillips and Antonietta Grandesso\, cultural director of Spazio Thetis\, emphasized the work’s power as an act of shared memory and poetic resistance. \nA work that continues to question\nToday\, Skultoflower Maliumbas© Black Ball lives in the gardens of Spazio Thetis: a monumental\, silent flower that continues to speak to those who look at it. It does not merely decorate — it questions\, transforms\, resists. And it tells\, without words\, of a beauty born even from pain. \n  URL:https://stefanobressani.com/en/evento/skultoflower-maliumbas-black-ball-in-venice-art-night-2019/ LOCATION:Spazio Thetis\, Calle Donà\, 2737/f\, 30122 Venezia VE\, Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2019-VENEZIA-THETIS-VENICE-ART-NIGHT-BRESSANI-FOTO-B.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20190510 DTEND;VALUE=DATE:20190511 DTSTAMP:20260916T175707 CREATED:20250714T081511Z LAST-MODIFIED:20251014T075851Z UID:5574-1557446400-1557532799@stefanobressani.com SUMMARY:Exhibition FRIENDS at Spazio Thetis\, Venice DESCRIPTION:Exhibition FRIENDS at Spazio Thetis – Arsenale di Venezia\nIn the heart of Venice’s historic Arsenale\, Spazio Thetis inaugurated a new artistic season with FRIENDS\, a group exhibition dedicated to encounter\, sharing\, and creative dialogue. The show brought together Spazio Thetis’s long-standing collaborators — artists\, curators\, and gallerists who have contributed to the growth of this international cultural hub. \n \nA garden of ideas in the northern Arsenale\nThe works were displayed in the evocative gardens of the northern Arsenale\, near the Biennale Gardens. The participating artists created a free and multifaceted narrative\, in conversation with the permanent collection of Spazio Thetis\, which includes Il Terzo Paradiso by Michelangelo Pistoletto\, Le Sentinelle by Beverly Pepper\, and L’uomo che misura le nuvole by Jan Fabre. \nArt\, science\, and the future at Spazio Thetis\nSpazio Thetis was born within a center for environmental innovation\, where art and science intersect in a dialogue between disciplines. The FRIENDS exhibition embodies this dynamic and sustainable vision of art\, offering a renewed perspective on creativity\, enterprise\, and culture. \nStefano Bressani and the Skultoflower Maliumbas© Ball\nAmong the protagonists was Stefano Bressani\, the “Tailor of Art\,” with his Skultoflower Maliumbas© Ball. Created in corten steel and recycled fabrics\, the work reflects the tension between nature and artifice\, perfectly embodying the spirit of the place. \nThe FRIENDS exhibition at Spazio Thetis was open from April 17 to the end of November 2019 — a unique opportunity to rediscover Venice through contemporary art and the power of creative friendship. \n  URL:https://stefanobressani.com/en/evento/exhibition-friends-at-spazio-thetis-venice/ LOCATION:Spazio Thetis\, Calle Donà\, 2737/f\, 30122 Venezia VE\, Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-20.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20190129 DTEND;VALUE=DATE:20190130 DTSTAMP:20260916T175707 CREATED:20250714T082710Z LAST-MODIFIED:20251014T082800Z UID:5578-1548720000-1548806399@stefanobressani.com SUMMARY:Stefano Bressani honored in Matera as “Uomo Illuminato” DESCRIPTION:Stefano Bressani honored in Matera as “Uomo Illuminato”: art\, sensitivity\, and social vision\nIn the heart of Matera\, among the city’s ancient Sassi and its millennia-old memory carved in stone\, artist Stefano Bressani received a prestigious recognition: the title of “Uomo Illuminato” (“Enlightened Man”)\, awarded during a ceremony promoted by the Stati Generali delle Donne. \nThe event took place on January 25 at the former San Rocco Hospital — a historic and symbolic venue transformed into a cultural celebration space for the occasion. The award was presented by Marilena Antonicelli\, Councillor for Equal Opportunities\, in the presence of local authorities\, artists\, and cultural figures. \n  \n \nAn award that celebrates art as a vehicle of sensitivity and inclusion\nThe title of Uomo Illuminato was conferred by a scientific committee of thirty members\, recognizing not only Bressani’s artistic talent but also the ethical and symbolic depth of his research. His renowned Sculture Vestite\, made from used garments and recycled textiles\, tell stories of humanity and transformation\, restoring dignity and visibility to the feminine identity. \nAccording to the official citation\, the artist “weaves stories through fabric\, blending craftsmanship and sensitivity into an expression that captures the essence of the feminine in moments of infinity.” The textile thus becomes a living material — one that narrates emotion\, memory\, and fragility in a language that transcends the visible. \nArt as an ethical space: Bressani’s vision\nDuring the event\, moderated by Isa Maggi\, President of Stati Generali delle Donne\, Bressani shared a profound reflection: “Human sensitivity\, more than gender difference\, is the foundation of every true dialogue.” His words reinforced the idea of art not merely as formal beauty\, but as an instrument of empathy\, inclusion\, and change. \nIn this sense\, the recognition received in Matera represents an act of cultural activism\, affirming the artist’s role as a conscious interpreter of his time. \nA deep dialogue with the city of the Sassi\nBressani’s stay in Matera had a strong emotional impact. Struck by the city’s “upside-down architecture” — carved downward into the rock — he found a parallel with his own creative process. His sculptures\, too\, are “excavated” by subtraction\, carved into fabric like grooves of memory. \nFrom this resonance was born the idea for a Progetto d’Opera inspired by Matera\, blending the city’s identity with the artist’s unique language in a dialogue between landscape\, memory\, and contemporary vision. \n\n  \n\nConclusion: a recognition that transcends aesthetics\nThe award conferred on Stefano Bressani goes beyond personal celebration: it is a powerful statement of how art can serve as a tool of social awareness. In Matera — European Capital of Culture — this gesture takes on even deeper meaning\, positioning the artist as a “citizen of the world.” A creator capable of transforming beauty into awareness\, and of giving back\, through his fabrics and sensitivity\, meaning and color to the complexity of our time. \n\n  \n  URL:https://stefanobressani.com/en/evento/stefano-bressani-honored-in-matera-as-uomo-illuminato/ LOCATION:Matera CATEGORIES:Matera ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-21.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20181012T080000 DTEND;TZID=Europe/Rome:20251012T170000 DTSTAMP:20260916T175707 CREATED:20250724T070022Z LAST-MODIFIED:20251008T153038Z UID:5425-1539331200-1760288400@stefanobressani.com SUMMARY:Sport and art in motion: Stefano Bressani’s signature makes CorriPavia unique from 2018 to 2025 DESCRIPTION:Pavia – Sunday\, October 12\, 2025\nThe countdown has already begun for one of Northern Italy’s most beloved running events: CorriPavia\, now reaching its 21st edition. While the race has always been the beating heart of the event\, in recent years another rhythm has joined its pace — the artistic soul of Maestro Stefano Bressani\, the Pavia-born artist behind the now-celebrated Skultomedal\, the “artwork-medal” that has symbolically accompanied every participant since 2018. \n2018: the aesthetic revolution of the medal\nThe turning point came in 2018\, during the 16th edition of CorriPavia. For the first time\, the medal was not just a commemorative object but a true wearable sculpture. It was signed by Stefano Bressani\, an internationally renowned Pavia-born artist known for his “Sculture Vestite”\, three-dimensional works made from reclaimed fabrics. \nThe Skultomedal redefined the imagery of running competitions\, blending art and sport into an innovative visual language. Through dynamic\, colorful forms\, Bressani translated the spirit of Pavia — the Visconti Castle\, the Ticino River\, the medieval towers — into a contemporary and distinctive symbol\, transforming the medal into an emblem of the event’s identity. \n \n2019: when art meets the running shirt\nThe following year\, the Skultomedal doubled its presence. Alongside the medal came the official race t-shirt\, once again designed by Bressani\, bringing the artwork directly onto the runners’ chests. Thanks to a partnership with technical sponsor Karhu\, the shirt became a moving canvas — an extension of art in motion. It was the year of the “Author’s CorriPavia\,” as described by Franco Corona\, president of Atletica 100 Torri\, who emphasized the strategic value of this fusion between sport\, art\, and territorial promotion. \n2020–2022: pause and revival\nThe pandemic halted the event in 2020 and 2021\, and it did not take place in 2022 either. However\, Bressani’s presence — and that of his creation — remained alive in the collective imagination. An “on-track” edition of the race was organized\, maintaining the connection between art\, sport\, and community. \n2023: rebirth with the 20th edition\nOn September 24\, 2023\, CorriPavia returned with a Special Edition. The medals became entirely eco-sustainable\, crafted from recycled wood and printed with zero emissions. The design remained faithful to Bressani’s original concept\, reaffirming a now-recognizable identity. The official t-shirt also featured the Skultomedal at its center\, once again in collaboration with Karhu. \n2024: two colors\, one signature\nIn the 2024 edition\, the Skultomedal appeared in two versions: burgundy for the Mini CorriPavia and midnight blue for the 10K\, both octagonal and made from FSC and PEFC®-certified wood. Once again\, Bressani’s signature defined the runner’s experience: each medal was not merely a souvenir but a collectible artwork — a statement of beauty and environmental respect. \n2025: art keeps running\nOn October 12\, 2025\, CorriPavia will celebrate the fifth consecutive year of collaboration with Stefano Bressani. The message is clear: \nrunning is not just about athletic performance\, but also about culture\, aesthetics\, and civic engagement. \nThe urban route\, winding among Pavia’s historic landmarks\, becomes an open-air gallery where art finds new vitality through the vision of an artist capable of turning a simple object into a visual and symbolic story. URL:https://stefanobressani.com/en/evento/sport-and-art-in-motion-stefano-bressanis-signature-makes-corripavia-unique-from-2018-to-2025/ LOCATION:Pavia CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-41.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20171207T080000 DTEND;TZID=Europe/Rome:20180121T170000 DTSTAMP:20260916T175707 CREATED:20250710T093942Z LAST-MODIFIED:20251014T083506Z UID:5583-1512633600-1516554000@stefanobressani.com SUMMARY:Angels between Heaven and Earth: art and spirituality between Italy and Argentina DESCRIPTION:Angels between Heaven and Earth: art and spirituality between Italy and Argentina\nAngels between Heaven and Earth is the title of the exhibition hosted at the Serrone of the Royal Villa of Monza from December 7\, 2017\, to January 21\, 2018. The event\, rich in symbolic and intercultural meaning\, placed at its center the figure of the angel — a universal archetype that crosses religions\, cultures\, and artistic traditions.The project\, conceived by Daniele Crippa\, brought together over 500 Italian and international artists in a dialogue between contemporary art and spirituality. \n \nIglesia de los Angeles: the Argentinian project\nIn the heart of the El Milagro estate in Argentina stands the Iglesia de los Angeles\, an architectural and spiritual project promoted by Daniele Crippa. The building is decorated with more than a thousand 20×20 cm ceramic tiles\, crafted by local artisans from the works of renowned Italian artists such as Gillo Dorfles\, Giosetta Fioroni\, and Mimmo Paladino. The project is a tribute to the indigenous Christian community and to the deep connection between art\, faith\, and territory. \nThe Italian connection: the Monza exhibition\nThe Monza exhibition served as a symbolic bridge between Italy and Argentina. The artworks\, inspired by the decoration of the Iglesia de los Angeles\, formed a mosaic of contemporary angelic visions. The event was made possible thanks to the collaboration with the Direzione Generale della Reggia di Monza and the patronage of both the Archdiocese and Argentine cultural institutions — reinforcing the dialogue between the two nations. \nStefano Bressani and the contemporary angel\nAmong the featured artists\, Stefano Bressani presented a smiling\, colorful angel crafted in his unmistakable style.His work approaches spirituality through a sustainable vision\, where the angel becomes a symbol of regeneration\, ecology\, and social commitment.The use of fabric and recycled materials gives the figure a new lightness — tied to the responsibility of the present. \nThe figure of the angel in art history\nFrom Giotto to Chagall\, from Michelangelo to Haring\, the angel has remained a constant presence in the artistic imagination. In Angels between Heaven and Earth\, the angel reaffirms itself as a universal icon capable of transcending cultures and evoking timeless values — protection\, brotherhood\, and hope.Art thus becomes a bridge for dialogue and reflection on the meaning of the sacred in the contemporary world. \nArt and spirituality in dialogue\nThe publication Angeli & Artisti nella Iglesia de los Angeles (Bellavite Editore) accompanied the exhibition\, offering further insight into the project. Overall\, Angels between Heaven and Earth stands as a successful example of art as a bridge among peoples\, spirituality\, and creativity. In the age of globalization\, the angel becomes a messenger of shared ethics and of humanity’s search for beauty\, meaning\, and connection. URL:https://stefanobressani.com/en/evento/angels-between-heaven-and-earth-art-and-spirituality-between-italy-and-argentina/ LOCATION:Villa Reale di Monza\, Viale Brianza\, 1\, 20900 Monza MB\, Monza\, Italy CATEGORIES:Monza ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-18.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20170901T080000 DTEND;TZID=Europe/Rome:20171001T170000 DTSTAMP:20260916T175707 CREATED:20250710T092008Z LAST-MODIFIED:20251014T085004Z UID:5586-1504252800-1506877200@stefanobressani.com SUMMARY:Stefano Bressani at OPEN20 Venice: between sculpture and contemporary reflection DESCRIPTION:Stefano Bressani OPEN20 Venice\nStefano Bressani OPEN20 Venice marks a biennium of intense creative activity and international recognition.\nBetween 2016 and 2017\, the artist strengthened his presence in the contemporary art scene\, presenting visionary works in venues such as Molino Stucky\, the Arsenale\, and the Hotel Excelsior during the Venice Film Festival. \nPicasso Re-loaded: a dialogue with Cubism\nWith Picasso Re-loaded\, Bressani reinterprets the Cubist legacy through his personal lens — not merely as homage\, but as a critical dialogue with the visual language of the 20th century. His sculptures reconstruct and deconstruct the human figure\, inviting reflection on art as an interpretation of reality. \n \nSkultoflower and the Arte Laguna Prize\nThe Skultoflower series\, awarded the OPEN19 – Arte Laguna Special Prize\, explores the connection between art and nature. The work symbolizes rebirth — blooming as transformation.\nPresented at Molino Stucky and the Arsenale\, the piece conveys an ecological message through form and color. \nKaotika – Without Time: time and visual chaos\nAt OPEN20 Venice\, Bressani presented Kaotika – Without Time\, an installation exhibited at the Hotel Excelsior. Serial figures in motion embody the disconnection of the present. The black and white tones recall classic cinema\, while the visual rhythm mirrors the disorientation of the contemporary individual. Displayed alongside artists such as Yoko Ono\, the work reaffirms the relevance of Bressani’s research. \nA scenography of contemporaneity\nAccording to curator Serena Mormino\, Kaotika is a “scenography of contemporaneity.” White becomes a symbol of identity loss and impersonal communication. The artwork denounces digital solitude and the erosion of meaning — yet also opens the door to individual renewal. \nRead critical essay \nArt as possibility\nDespite its apparent chromatic lightness\, Bressani’s art is rich in critical depth. His language merges tradition and innovation\, leading to a journey of awareness. Aesthetics become a tool to question the human condition in the age of speed and post-truth. \nToward new projects\nWith OPEN20 Venice\, Stefano Bressani reaffirms the coherence of his artistic vision. His works raise questions about time and identity\, opening spaces for shared reflection. Amid new exhibitions and international collaborations\, the artist continues to engage the public through images\, installations\, and digital dialogue. URL:https://stefanobressani.com/en/evento/stefano-bressani-at-open20-venice-between-sculpture-and-contemporary-reflection/ LOCATION:Festival del cinema di Venezia\, Lungomare Guglielmo Marconi\, 41\, 30126 Lido VE\, Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/main-17.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170406 DTEND;VALUE=DATE:20170407 DTSTAMP:20260916T175707 CREATED:20250714T090646Z LAST-MODIFIED:20250714T090646Z UID:5593-1491436800-1491523199@stefanobressani.com SUMMARY:Skultoflower Maliumbas by Stefano Bressani in Los Angeles DESCRIPTION:Skultoflower Maliumbas by Stefano Bressani: from the Art of Venice to the Nature of Los Angeles\nSkultoflower Maliumbas by Stefano Bressani goes beyond sculpture: it transforms\, inhabits\, and lives within its space. After its debut at the Arsenale in Venice\, the work found a new home in the gardens of Bel Air\, Los Angeles — a journey through symbolism\, matter\, and transformation that mirrors the artist’s profound vision. \n  \n \nFrom the waters of Venice to the Arte Laguna Prize\nThe work first came to life beneath the arches of the Arsenale Nord in Venice\, where it captivated the jury of the Arte Laguna Prize in the special OPEN section. This recognition opened new international horizons for both Skultoflower Maliumbas and its creator. \nFollowing its success\, the piece moved to the Molino Stucky pier\, under the watchful gaze of the lagoon and an international audience — where a chance encounter with an American family would change its destiny. \nThe garden of Bel Air: between nature and pop culture\nSkultoflower Maliumbas crossed the ocean and landed in Los Angeles\, in the heart of Bel Air. There\, nestled in a lush garden\, it entered into dialogue with the Californian environment — sunlight\, hills\, and the echoes of 1980s pop culture. \nA living sculpture\nThe piece becomes a living organism: it changes with the seasons\, interacts with nature\, and takes root in the soil. At its core stands a symbolic flower — delicate yet resilient\, fragile yet strong — made of industrial materials such as neoprene and corten steel. \nSymbolism\, matter\, and metamorphosis\nThe geometric cube hosting the flower represents the tension between opposites: Skultoflower Maliumbas unites rigor and organicity\, matter and spirit\, industry and nature. It is a work in perpetual transformation\, embodying the cycles of life — blooming\, decay\, and rebirth. \n \nThe solid stem and corten petals evoke transformation as a vital force — a hallmark of Bressani’s art\, which embraces imperfection and turns it into beauty. \nAn endless story\nFrom Venice to Los Angeles\, Skultoflower Maliumbas becomes a bridge between cultures\, memories\, and landscapes. No longer a simple object\, but an immersive and personal experience — a sensory narrative that evolves with each encounter\, becoming part of both life and collective imagination. URL:https://stefanobressani.com/en/evento/skultoflower-maliumbas-by-stefano-bressani-in-los-angeles/ LOCATION:Los Angeles CATEGORIES:Los Angeles ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-22.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160924 DTEND;VALUE=DATE:20160925 DTSTAMP:20260916T175707 CREATED:20250710T085952Z LAST-MODIFIED:20251016T124127Z UID:5598-1474675200-1474761599@stefanobressani.com SUMMARY:Skultoflower by Stefano Bressani at MUPA Portofino DESCRIPTION:Skultoflower by Stefano Bressani at MUPA Portofino\nIn 2016\, Stefano Bressani presented Skultoflower at the Museum of the Park in Portofino (MUPA)\, where the work entered the permanent collection. After its preview at the international exhibition OPEN in Venice\, the artist from Pavia consolidated his language between sculpture\, design\, fashion\, and existential reflection. \nA cubist flower between body and spirit\nStanding three meters tall\, Skultoflower is a monumental sculpture. Its corten steel base symbolizes the body and transformation\, while a colorful neoprene cube rises as a symbol of the soul. The contrast between organic matter and rational form embodies the tension between impermanence and permanence. \n \nThe Maliumbas texture: a visual identity\nA distinctive element of the work is the Maliumbas texture\, created and patented by Bressani. This vivid\, pop\, and tribal surface acts as both visual narrative and inner language — a vocabulary that merges art\, fashion\, and experimentation. \nA work between Venice and Portofino\nAfter its debut in Venice\, Skultoflower received the Arte Laguna Special Prize – OPEN Section and participated in the 11th Arte Laguna Prize. Its arrival in Portofino\, under the direction of Daniele Crippa and curated by Serena Mormino\, established the work among the greats of contemporary sculpture. \nToday\, Skultoflower is part of the MUPA collection alongside historic names such as Lucio Fontana\, Arman\, Guttuso\, Pomodoro\, and Man Ray. \n\nA metaphor for the human condition\nWith Skultoflower\, Bressani proposes a sculptural metaphor of existence — a hybrid between nature and artifice\, between spirit and matter. The flower is not just beauty; it is transformation\, deconstruction\, and rebirth. As curator Serena Mormino writes\, it is “a work to be worn with the eyes\,” an invitation to look beyond the surface and experience art as an emotional and intimate journey. \n  URL:https://stefanobressani.com/en/evento/skultoflower-by-stefano-bressani-at-mupa-portofino/ LOCATION:Museo del Parco\, Molo Umberto I\, 16028 Portofino GE\, Portofino\, Italy CATEGORIES:Portofino ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-16.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20160902T080000 DTEND;TZID=Europe/Rome:20161002T170000 DTSTAMP:20260916T175707 CREATED:20250710T083224Z LAST-MODIFIED:20251014T090903Z UID:5604-1472803200-1475427600@stefanobressani.com SUMMARY:Skultoflower by Stefano Bressani at OPEN 19 Venice DESCRIPTION:The lagoon dresses in art: Skultoflower exhibited in Venice\nAlmost twenty years after its inception\, OPEN – International Exhibition of Sculptures and Installations confirms itself as one of the most visionary events on the contemporary art scene. The 2016 edition transformed Venice into an open-air museum\, where art meets everyday life\, engaging both passersby and the urban landscape. \nThe installations\, scattered among calli\, fondamenta\, and lagoon views\, disrupt visual continuity and generate aesthetic short circuits that provoke reflection and wonder. OPEN 19 is much more than an exhibition: it is an immersive experience where the viewer becomes an active part of the work. \n\nSkultoflower: the “dressed” sculpture by Bressani as a highlight in Venice\nAmong the exhibiting artists stands Stefano Bressani\, master of Italian contemporary art\, with his monumental Skultoflower\, strategically positioned at the entrance of the Hilton Molino Stucky. After the success of Maliumbas Nature Sound at Casa Milan\, Bressani brought to Venice a sculpture that perfectly synthesizes his poetic and material language. \nStanding over three meters tall\, Skultoflower rises from a corten steel stem — a symbol of transformation over time. From this metallic structure blooms a cube covered with Maliumbas texture\, a hallmark of Bressani’s stylistic identity. The work fuses strength and delicacy\, geometry and nature\, industry and poetry. \nA symbol of resilience and sustainability\nThe sculpture is made from recycled materials\, in line with the artist’s ethical approach. The contrast between oxidizing metal and the visual lightness of fabric transforms the piece into a living organism\, able to communicate with its viewers. A symbol of coexistence between the ephemeral and the enduring\, the soft and the solid\, humankind and time. \nThe curatorship is by Serena Mormino\, art critic and president of the cultural association Amarte\, who accompanies Bressani in this edition. “His works combine different suggestions\,” she notes\, “merging into a unique language\, suspended between Dolce Vita\, Pop Art\, and the future.” \nRead the critical essay \nWithin the context of OPEN 19\, Skultoflower becomes the ambassador of a new Italian sculpture that unites craftsmanship and innovation\, tradition and experimentation\, transforming matter into vision. \nAn art to be lived\, not just observed\nWith this installation\, Stefano Bressani confirms his ability to create works that go beyond mere admiration — pieces that engage and interact. His Scultura Vestita invites the audience to a sensory and emotional experience where art becomes part of everyday life. URL:https://stefanobressani.com/en/evento/skultoflower-by-stefano-bressani-at-open-19-venice/ LOCATION:Open 19 Molino Stucky\, Giudecca\, 810\, 30133 Venezia VE\, Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-14.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20160412T080000 DTEND;TZID=Europe/Rome:20160415T170000 DTSTAMP:20260916T175707 CREATED:20250710T085019Z LAST-MODIFIED:20251014T091438Z UID:5608-1460448000-1460739600@stefanobressani.com SUMMARY:Stefano Bressani at Casa Milan – Fuori Salone 2016 DESCRIPTION:Colours of fabrics sound: Stefano Bressani at Fuori Salone 2016\nDuring the 2016 Fuori Salone\, Casa Milan hosted Colours of Fabrics Sound\, an exhibition by the artist from Pavia\, Stefano Bressani. The show celebrated the fusion of art\, fabric\, and sound\, bringing to Milan ten works capable of engaging the senses in a unique experience. \nFamous for his Sculture Vestite\, the artist presented a symbolic and multisensory vision where fabric and sound dialogue\, giving life to works charged with meaning and poetic tension. \n \n“Maliumbas Nature Sound”: the sound sculpture\nAmong the most representative works of the exhibition stands Maliumbas Nature Sound (2016): a 280 cm sculpture covered in colorful fabrics and equipped with a Bose audio system. More than an art object\, it is a musical instrument that embodies the artist’s synesthetic vision\, merging sight\, touch\, and sound into one aesthetic experience. \nFabric\, nails\, and dynamism\nBressani’s sculptures are made from tailored fabrics assembled without seams and held together by symbolic nails. In Fighting (2016)\, the energy of athletic movement merges with his plastic research\, bringing motion to the stage. \nThe contrast between rigid materials and soft textiles reveals an aesthetic built on dualities: organic/inorganic\, solid/fragile — a language that escapes traditional definitions. \nBetween Pop Art and nature: icons and symbols\nWorks such as Fiat F2 and White Caddy (2014) pay homage to the automotive world\, while Regal Horse and the On My Fingers series (2013–2014) introduce a natural dimension through symbols like the frog — an icon of transformation and adaptability. \nAn aesthetics of inconsistency\nBressani’s creative process is born from musical and instinctive impulse. His works follow no fixed scheme: they emerge from emotional suggestions and contrasts. The result is an art to be listened to\, touched\, and lived. \nColours of Fabrics Sound is not just an exhibition but a poetic proposition — an invitation to rediscover art as a daily and immersive experience. \n  URL:https://stefanobressani.com/en/evento/stefano-bressani-at-casa-milan-fuori-salone-2016/ LOCATION:Casa Milan\, Via Aldo Rossi\, 8\, 20149 Milano MI\, Milano\, Italy CATEGORIES:Milan ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-15.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20151205T080000 DTEND;TZID=Europe/Rome:20160320T170000 DTSTAMP:20260916T175707 CREATED:20250707T092015Z LAST-MODIFIED:20251016T124227Z UID:5611-1449302400-1458493200@stefanobressani.com SUMMARY:Picasso and his passions: Bressani in exhibition in Pavia DESCRIPTION:A contemporary dialogue with Guernica\nThe exhibition Picasso and his passions\, held at Palazzo Vistarino in Pavia\, offers an exciting journey into the creative universe of one of the greatest masters of modern art. Among over two hundred works including drawings\, ceramics\, and oils\, the exhibition also features three original Italian reinterpretations of the famous painting Guernica\, created by Stefano Bressani\, Paolo Baratella\, and Paolo Ceribelli. \n\nThe work of Stefano Bressani: “Urlo alla vita”\nBressani’s installation\, by the Pavia-born artist of 1973 known for his Sculture Vestite\, is titled Urlo alla Vita (“Cry to life”). Created with recycled fabric\, the work conveys a message of hope in contrast to the anguish of war depicted in Picasso’s masterpiece. An animal biting a man’s hand symbolizes the rebellion of nature and the desire for rebirth\, highlighted by warm colors and a radiant sun that evoke a bright future. \nThe exhibition and other reinterpretations of Guernica\nPromoted by The Mad Box\, the event opened on December 19\, 2015\, and remained on view until March 20\, 2016. Thanks to a multimedia screen installed in the exhibition\, visitors could explore the history of Guernica and follow the creative process behind the three contemporary interpretations. \n\nPaolo Baratella – “Per Guernica ora”\nBaratella interprets the drama of war in a contemporary key\, launching a clear appeal for a firm “NO” to violence and oppression. His work denounces the real causes of conflict\, such as the lust for power and the control of resources\, often masked by ideologies. \nPaolo Ceribelli – “.CODE.”\nUsing a striking visual language\, Ceribelli reflects on how society turns horrors into routine. The obsessive repetition of Guernica’s image becomes a warning against indifference and the cyclical resurgence of violence. \nA collective reflection on Picasso’s legacy\nThe exhibition represents an important opportunity for dialogue between eras\, styles\, and languages. The works of Bressani\, Baratella\, and Ceribelli offer a plural reinterpretation of Guernica\, keeping its symbolic power and universal message against all forms of oppression alive. URL:https://stefanobressani.com/en/evento/picasso-and-his-passions-bressani-in-exhibition-in-pavia/ LOCATION:Palazzo Vistarino\, Via Sant’Ennodio\, 26 27100\, PAVIA\, Italy CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-8.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150916 DTEND;VALUE=DATE:20150917 DTSTAMP:20260916T175707 CREATED:20250707T095551Z LAST-MODIFIED:20251016T124345Z UID:5616-1442361600-1442447999@stefanobressani.com SUMMARY:Stefano Bressani at the Qatar pavilion at Expo 2015 DESCRIPTION:An immersive pavilion of culture\, tradition\, and innovation\nDuring Expo Milan 2015\, the Qatar pavilion stood out for its narrative strength and the intensity of the experience offered to visitors. The pavilion was conceived as an immersive journey\, where visitors could engage with traditional music\, dance\, and flavors. In particular\, the sofra — the typical Arab table symbolizing hospitality and sharing — was celebrated. \n\nSymbolic architecture and sustainable technologies\nThe pavilion’s architecture evoked an ancient palace-fortress. Four corner towers and a monumental entrance staircase defined its visual impact. At the center stood a large jafer\, the traditional food basket\, transformed into a true architectural installation measuring 11 meters in diameter and 8 meters in height. The structure also adopted sustainable technologies\, demonstrating Qatar’s commitment to environmental responsibility and food culture. \nMeeting Stefano Bressani: art and cultural exchange\nIn this evocative context\, Stefano Bressani engaged with the Qatar pavilion. The artist\, renowned for his Sculture Vestite\, was invited to explore the exhibition spaces and immerse himself in the pavilion’s evocative atmosphere\, reminiscent of an authentic Arab souk. His meeting with Mohammed Al Bloshi\, a prominent figure in Qatar’s banking and petroleum sectors and spokesperson for Expo Italy\, fostered a valuable artistic and cultural dialogue. \nA work dedicated to the Arabian horse\nBressani wished to pay tribute to Qatar with a work inspired by the Arabian horse\, a symbol of strength\, elegance\, and tradition. The horse is deeply rooted in the country’s culture\, with Qatar recognized internationally for its equestrian tradition. The country also hosts modern facilities and high-level sporting competitions\, reinforcing its role in the world of equestrian sports. \nA dialogue looking to the future\nThe experience at Expo left Bressani with a strong desire to continue the cultural and creative dialogue with Qatar. He hopes to organize a solo exhibition in the country\, an event that would strengthen the ties between these two different worlds\, united by a shared vision: promoting culture and innovation through art. URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-qatar-pavilion-at-expo-2015/ LOCATION:Expo 2015 CATEGORIES:Milan ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-9-e1751890507416.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150720 DTEND;VALUE=DATE:20150721 DTSTAMP:20260916T175707 CREATED:20250707T132036Z LAST-MODIFIED:20251016T124511Z UID:5619-1437350400-1437436799@stefanobressani.com SUMMARY:Stefano Bressani at the shoe museum in Vigevano DESCRIPTION:Art and fashion meet in the heart of Vigevano\nIn 2015\, Stefano Bressani joined the permanent collection of the International Shoe Museum of Vigevano with a work that blends contemporary art and fashion design. The museum\, located in the Sforza Castle\, is a landmark in the history of Italian and international footwear. \nThe MIC: history of shoes and great fashion names\nFounded in the 1950s\, the MIC “Pietro Bertolini” houses unique pieces belonging to historical figures and creations by Ferragamo\, Dior\, Armani\, Lagerfeld\, and Louis Vuitton. The collection traces the technical\, aesthetic\, and cultural evolution of footwear over time. \nA contemporary work in the permanent collection\nBressani’s entry into the museum came with a women’s shoe designed in collaboration with designer Silvia Fabiani. Inspired by the Monaca di Monza\, the work explores themes of ambiguity and duality\, central to the artist’s practice. It exemplifies a dialogue between visual language and sartorial craft. \nThe language of Sculture Vestite in a shoe\nThe piece is made with embossed fabric and three-dimensional surfaces\, in the full style of Sculture Vestite.\nThe shoe features asymmetric lines and the Maliumbas© motif\, a signature of Bressani. The partially exposed foot symbolizes tension and intimacy\, balancing form and concept. \nA symbol of applied art in design\nThe shoe is displayed on rotation among the museum’s galleries. The choice to include a Bressani work in the permanent collection demonstrates the museum’s openness to contemporary art and recognizes the importance of art within applied design. \nCraftsmanship and artistic vision\nWith this installation\, Stefano Bressani confirms his ability to translate materials and languages into unprecedented visual narratives. The work becomes a bridge between past and present\, between artisanal excellence and the most innovative aesthetic research. The International Shoe Museum of Vigevano remains a space for dialogue between the arts. \n  URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-shoe-museum-in-vigevano/ LOCATION:Museo della Calzatura Vigevano\, Piazza Ducale\, 20\, 27029 Vigevano PV\, Vigevano\, Italy CATEGORIES:Vigevano ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/main-11.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20150703T080000 DTEND;TZID=Europe/Rome:20150726T170000 DTSTAMP:20260916T175707 CREATED:20250707T122545Z LAST-MODIFIED:20251014T095039Z UID:5622-1435910400-1437930000@stefanobressani.com SUMMARY:Stefano Bressani at the Fiat 500 museum in Garlenda DESCRIPTION:Art and engines: Bressani’s tribute to the Fiat 500\nFollowing the success of his exhibition at the Automobile Museum in Turin\, Stefano Bressani brought his art to Garlenda\, to the Dante Giacosa Multimedia Museum of the Fiat 500. The museum is dedicated to the renowned Italian engineer who designed the historic Fiat 500\, a symbol of Italian identity worldwide. \n\nAn exhibition during the Fiat 500 international meeting\nThe event took place within the 32nd edition of the Fiat 500 International Meeting\, an annual gathering attracting enthusiasts from around the world to celebrate the small yet iconic Italian car. The museum itself serves as a reference point for fans of design and the history of the 500. \nSculture Vestite: fabric and poetry in dialogue with the bodywork\nBressani presented his unmistakable Sculture Vestite\, fabric works that reinterpret automotive design poetically. The rounded forms of the Fiat 500 are recreated in fabric\, generating a striking contrast between the softness of textiles and the rigidity of metal. At the same time\, the artist highlights the shape and identity of the iconic vehicle without altering it. \nLitoprint: accessible and original art\nIn addition to the sculptures\, the exhibition included Litoprint: prints on paper with inserts of original fabric. Each print becomes a unique piece\, accessible even to collectors with smaller budgets\, while preserving the artistic value and tactile emotion of Bressani’s creations. \nAn initiative promoted by the Fiat 500 Club Italia\nThe invitation came from Domenico Romano\, president of the Fiat 500 Club Italia\, and vice president Alessandro Scarpa. The goal was to highlight contemporary art within a context connected to the history of Italian design. The combination of engines and art proved highly evocative and engaging. \nBressani: “each print tells the essence of my works”\nRegarding the Litoprint\, Bressani explains: “Without my sculptures\, the prints would not exist\, just as without eyes\, my sculptures would not exist. In each print\, I include a fragment of the fabrics I use in my works\, making every piece unique and precious.” \nArt\, design\, and Italian passion\nThis exhibition reaffirms the deep connection between art and the automobile\, between creativity and tradition. With the Garlenda show\, Stefano Bressani invites the audience to see the Fiat 500 with new eyes\, transforming an industrial icon into visual poetry and a material of art. \n  URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-fiat-500-museum-in-garlenda/ LOCATION:Museo Fiat Garlenda\, Via Roma\, 90\, 17033 Garlenda SV\, Garlenda\, Italy CATEGORIES:Savona ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/main-10.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150613 DTEND;VALUE=DATE:20150614 DTSTAMP:20260916T175707 CREATED:20250707T140028Z LAST-MODIFIED:20251016T124640Z UID:5625-1434153600-1434239999@stefanobressani.com SUMMARY:Stefano Bressani at the M.A.C.I.S.T. museum in Biella DESCRIPTION:Stefano Bressani at the M.A.C.I.S.T. Museum in Biella: art and social commitment\nThe Museum of International Contemporary Art Without Trends (M.A.C.I.S.T.) in Biella represents a unique combination of contemporary art and social engagement. Founded by Maestro Omar Ronda and supported by a group of international collectors and artists\, the museum aims to promote high-quality contemporary art without adhering to specific schools or movements. At the core of its mission is a strong ethical commitment: supporting the Edo and Elvo Tempia Foundation in the fight against cancer. \nWith over 150 Italian and international works from 22 countries\, displayed in permanent and temporary collections\, the M.A.C.I.S.T. museum offers an artistic experience that engages the public and raises awareness about important issues such as health\, research\, and prevention. \n\nThe work Pala Maliumbas: a symbol of style and sustainability\nAmong the invited artists stands Stefano Bressani\, personally called by his friend and Maestro Omar Ronda. For the occasion\, Bressani donated a work conceived to represent the core values of his artistic practice\, internationally recognized for its innovative technique using vividly colored fabrics. \nTitled Pala Maliumbas©\, the work is distinguished by sinuous shapes and bright colors\, elements that characterize the artist’s imagination and stylistic research. Measuring 260x30x8 cm\, the Pala Maliumbas is placed horizontally within the museum and serves as a symbolic “artificial horizon\,” inspired by an aeronautical concept. This metaphorical line marks the boundary between the real and the dreamlike\, inviting visitors to position their own perception and encouraging reflection and imagination. \nArt and social responsibility\nBressani’s work is not only an aesthetic manifesto but also a message of sustainability and recycling\, central themes in his artistic research. Its presence at M.A.C.I.S.T. demonstrates the power of art to unite beauty and social responsibility. An added value to Bressani’s participation is the engagement letter signed by renowned art critic Philippe Daverio\, who emphasized its artistic and symbolic significance. With this donation\, Stefano Bressani consolidates his role not only as an innovator in contemporary art but also as a promoter of an ethical and cultural message that extends beyond galleries\, reaching a wider audience and raising awareness of key societal issues. URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-m-a-c-i-s-t-museum-in-biella/ LOCATION:Museo Macist\, Costa di Riva\, 9\, 13900 Biella BI\, Biella\, Italy CATEGORIES:Biella ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-13.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20150314T080000 DTEND;TZID=Europe/Rome:20150419T170000 DTSTAMP:20260916T175707 CREATED:20250707T132840Z LAST-MODIFIED:20251014T100358Z UID:5628-1426320000-1429462800@stefanobressani.com SUMMARY:Walking the art: Bressani’s shoe sculptures in Vigevano DESCRIPTION:Walking the art – Skultoshoes: Bressani’s exhibition in Vigevano\nIn the heart of Vigevano\, a city symbolic of Italian footwear\, a unique exhibition comes to life: Walking the Art – Skultoshoes. This innovative project merges art and fashion\, creating shoe sculptures designed by artist Stefano Bressani and designer Silvia Fabiani. \nLocation and sponsorship\nThe exhibition takes place in the evocative setting of the Second Stables of Sforza Castle. It is sponsored by the Municipality of Vigevano and supported by the Department of Culture. The show is the result of a two-year collaboration between the two creatives\, aimed at producing artisanal women’s shoes that combine three-dimensional design with innovative materials\, highlighting the tradition and excellence of Made in Italy. \n\nThe Skultoshoes: art\, fashion\, and innovation\nThe Skultoshoes are created using the patented Maliumbas fabric\, developed by Bressani together with Italian Converter\, a leading company in luxury textiles. These shoes are distinguished by clean lines\, high heels\, and platforms\, with a three-dimensional effect achieved through embossing\, giving the fabrics a unique tactile appearance. \nTechnique and comfort\nBressani defines this collection as tangible proof of the strong bond between art and fashion—two worlds that influence and enrich each other. Beyond aesthetics\, great attention is given to comfort. The Skultoshoes are therefore not only works of art to admire but also wearable shoes. \nAmong the exhibited pieces\, a male model created in collaboration with Vigevano-based Moreschi stands out. This shoe combines the company’s refined design with Maliumbas Velvet\, a symbol of elegance and innovation. \nRecognition and permanent collection\nThe Department of Culture\, represented by Daniela Del Frate\, emphasized the exhibition’s importance. It enhances Vigevano as the world capital of footwear\, a city proud of its artisanal history. The Sforza Castle\, with its Second Stables\, provides the ideal setting for an event that unites culture\, art\, and enterprise. \nA key moment was the inclusion of the first Skultoshoes prototype\, SK SH 0001\, in the permanent collection of the P. Bertolini Shoe Museum. Made with laminated metallic orange Maliumbas fabric\, this shoe marks the beginning of a new era in footwear art. Textile innovation and aesthetic research thus become a unique and captivating expressive language. URL:https://stefanobressani.com/en/evento/walking-the-art-bressanis-shoe-sculptures-in-vigevano/ LOCATION:Museo Internazionale della Calzatura\, Piazza Ducale\, 20\, 27029 Vigevano PV\, Vigevano\, Italy CATEGORIES:Vigevano ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-12.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20140906T080000 DTEND;TZID=Europe/Rome:20141005T170000 DTSTAMP:20260916T175707 CREATED:20250704T140500Z LAST-MODIFIED:20251016T124752Z UID:5631-1409990400-1412528400@stefanobressani.com SUMMARY:Stefano Bressani at the MAUTO in Turin: art and sustainability on display DESCRIPTION:Solo exhibition at the National Automobile Museum of Turin: a dialogue between art and engines\nFrom September 6 to October 5\, 2014\, the MAUTO in Turin hosted a solo exhibition by Stefano Bressani\, an artist known for creating Sculture Vestite\, an original artistic language combining aesthetics and creative reuse. \nCurated by Carlotta Canton\, artistic director of the Davico Arte Gallery\, the exhibition is part of MAUTO’s museum path\, renowned for its focus on design\, innovation\, and contemporary culture. \n\nThe Sculture Vestite: art born from fabric\nStefano Bressani is a self-taught artist who developed a unique technique: deconstructing forms and reconstructing them using fabrics and textiles. The result is a three-dimensional\, soft\, vibrant work\, full of meaning and depth. \nArt and sustainability\nHis works are not only visually captivating but also carry an ethical message: Bressani uses recycled fabrics\, promoting creative reuse and environmental sustainability. His sculptures thus become symbols for reflection on resource use and human impact on the planet. \nThe MAUTO exhibition: an immersive experience\nThe exhibition presents a selection of works that trace the artist’s stylistic and conceptual evolution. Within the museum path\, the sculptures interact with MAUTO’s technological and historical content\, creating a continuous dialogue between art\, design\, and engineering. \nVideo projection and creative process\nTo further enrich the visitor experience\, a video projection curated by Marco Sanna documents the creation phases of the works in the artist’s studio\, offering an authentic behind-the-scenes look at his practice. \nA journey through art and engines\nBressani is no stranger to the automotive world: he has collaborated with the Piaggio Foundation in Pontedera and participated in the itinerant exhibition Contemporary Art Meeting 500\, dedicated to the Fiat 500 myth. His works have also been displayed at international events\, including the Venice Biennale. \n\nConclusion\nThe MAUTO exhibition represents a significant step in Stefano Bressani’s artistic journey\, bringing art\, innovation\, and environmental awareness to a dynamic and experimental context. His Sculture Vestite offer the public a profound visual and cultural experience\, capable of inspiring reflection and contemplation. URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-mauto-in-turin-art-and-sustainability-on-display/ LOCATION:Museo Nazionale dell’Automobile\, Corso Unità d'Italia\, 40\, 10126 Torino TO\, Torino CATEGORIES:Turin ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-7.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20140712T080000 DTEND;TZID=Europe/Rome:20141026T170000 DTSTAMP:20260916T175707 CREATED:20250704T135006Z LAST-MODIFIED:20251014T101412Z UID:5635-1405152000-1414342800@stefanobressani.com SUMMARY:Night of Wonders Venice: Stefano Bressani pays tribute to the Pink Floyd DESCRIPTION:Night of Wonders Venice – Stefano Bressani honors the Pink Floyd with his Sculture Vestite\nIn 2014\, twenty-five years after the historic Pink Floyd concert in Venice\, the city celebrated the anniversary with a major international event: Night of Wonders. Hosted in the evocative space of the former Church of Santa Marta\, the exhibition offered an immersive journey into the history of the British band\, with photographs\, videos\, memorabilia\, and artistic installations. \nBressani’s works in dialogue with the Pink Floyd\nAmong the protagonists of Night of Wonders Venice was Italian artist Stefano Bressani\, known for creating Sculture Vestite. On this occasion\, Bressani presented two works inspired by iconic Pink Floyd albums: The Division Bell and The Wall. \n“Steel Faces”: light and fabric reinterpret The Division Bell\nThe installation Steel Faces\, inspired by the album The Division Bell\, reimagines the famous metallic heads designed by Storm Thorgerson using textile techniques. The sculptures\, measuring 240×180 cm\, interact with the natural light of the church\, creating chiaroscuro effects that enhance the soft colors and three-dimensional forms of the work. \n\n \n\n“What shall we do now?”: a reflective tribute to The Wall\nThe second work\, What shall we do now?\, draws inspiration from The Wall\, the concept album exploring themes of isolation and inner conflict. Bressani pays homage to Gerald Scarfe’s original drawings\, reinterpreting them with his sculptural technique to invite personal and contemporary reflection. \nAn exhibition of art\, music\, and memory\nCurated by the association Floydseum\, Night of Wonders Venice was much more than an exhibition: it was a multisensory journey that recreated the atmosphere of the Venetian concert on July 15\, 1989. Featuring previously unseen materials\, fan testimonies\, and artworks\, the exhibition highlighted the Pink Floyd’s impact on visual and musical culture. \nAlongside Bressani\, artists like Marco Lodola contributed with light installations inspired by The Wall\, creating a powerful and emotional visual dialogue. \nArt as a bridge between music and vision\nStefano Bressani’s participation underscored the role of art in giving new form to collective memory. His Sculture Vestite translate the Pink Floyd’s sound universe into visual material\, bringing depth and meaning to timeless musical icons. URL:https://stefanobressani.com/en/evento/night-of-wonders-venice-stefano-bressani-pays-tribute-to-the-pink-floyd/ LOCATION:Spazio Porto\, ex Chiesa di Santa Marta\, 30100 Venezia VE\, Venezia\, Italy CATEGORIES:Venice ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-6.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20140607T080000 DTEND;TZID=Europe/Rome:20140608T170000 DTSTAMP:20260916T175707 CREATED:20250704T133831Z LAST-MODIFIED:20251014T101742Z UID:5639-1402128000-1402246800@stefanobressani.com SUMMARY:Palio del Ticino Pavia – The Ponte Coperto in Bressani’s sculptures DESCRIPTION:Stefano Bressani celebrates the Ponte Coperto of Pavia\nThe Palio del Ticino in Pavia\, held in June 2014\, saw contemporary art take center stage thanks to Stefano Bressani’s work. For the eighth edition of the event\, the Pavia-born artist created the official banner for the Palio\, celebrating one of the city’s most beloved symbols: the Ponte Coperto. \nThe Ponte Coperto: a symbol of unity\nBressani chose the Ponte Coperto as the subject for the Palio del Ticino\, emblematic of the city’s identity. Rebuilt after World War II\, the bridge connects the two banks of the Ticino River\, uniting the city not only physically but also culturally and symbolically. For the artist\, the bridge conveys a message of continuity and connection across eras and traditions. \n\n \nBressani’s work for the Palio del Ticino\nBressani’s famous Sculture Vestite transform ordinary fabrics into three-dimensional artworks. His unique technique gave life to a banner full of meaning\, paraded through the streets of Pavia during the historical procession. The Palio del Ticino was thus enriched with a profound artistic interpretation\, blending historical memory and contemporary language. \nAn artistic commitment to the city\nBressani sees his art as a dialogue with the community. His participation in the Palio del Ticino Pavia is not only an aesthetic tribute but also an act of social responsibility. The artist aimed to convey the deep connection between the city\, its symbols\, and traditions\, offering a vision that draws from the past to imagine a shared future. \nArt and identity at the heart of the event\nThanks to Bressani’s work\, the 2014 Palio del Ticino confirmed its value not only as a sporting and folkloric event but also as a space for reflection on cultural identity. Art naturally integrated into the festival\, once again demonstrating its power to unite people\, stories\, and perspectives. \n\n  URL:https://stefanobressani.com/en/evento/palio-del-ticino-pavia-the-ponte-coperto-in-bressanis-sculptures/ LOCATION:Ponte Coperto\, Ponte Coperto\, 27100 Pavia PV\, Pavia\, Italy CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-5.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20120623T083000 DTEND;TZID=Europe/Rome:20120808T200000 DTSTAMP:20260916T175707 CREATED:20250704T092442Z LAST-MODIFIED:20251016T124932Z UID:5654-1340440200-1344456000@stefanobressani.com SUMMARY:Stefano Bressani at the Palazzo delle Arti Contemporanee del Broletto DESCRIPTION:A solo exhibition in the artist’s hometown\nIn June 2012\, the Palazzo delle Arti Contemporanee del Broletto in Pavia hosted Thinking Pop\, a solo exhibition by Stefano Bressani that marked a moment of particular recognition in the artist’s hometown. With 38 works on display\, the exhibition combined the unmistakable style of his Sculture Vestite with the aim of linking contemporary art and local heritage. \n\nThe venue: the Broletto of Pavia\nA historic building in the heart of Lombardy\nThe Broletto of Pavia\, home to the exhibition\, is full of history and atmosphere. Built in the 12th century\, with Romanesque\, Gothic\, and Renaissance elements\, it is the oldest broletto in Lombardy. \nToday\, it hosts temporary exhibitions promoted by the Municipality of Pavia\, with a focus on contemporary art and dialogue between emerging and established artists. \nThinking Pop: a manifesto exhibition\nIn this context\, Thinking Pop revealed itself as a manifesto exhibition. The project\, conceived to be itinerant\, started in Pavia with the intention of creating a bridge between Bressani’s artistic vision and the cultural fabric of host cities. \nThe works on display span the first phase of his career\, from pop-world icons – cinematic tributes\, famous faces\, and archetypal figures – to a homage to the Duomo of Pavia\, Italy’s third-largest dome\, interpreted through deconstructed architectural forms and three-dimensional fabrics. \nOfficial inauguration and authoritative voices\nAt the opening press conference\, alongside the artist\, were Mayor Alessandro Cattaneo\, Cultural Assessor Gian Marco Centinaio\, and art critic Mauro Di Vito from the University of Pisa\, who offered a historical-artistic reading of Bressani’s work. \nThe language of the Sculture Vestite\nMatter\, symbol\, and identity\nThe conceptual core of the exhibition revolves around transforming matter into symbol: clothing fabrics\, recovered and assembled\, become expressive tools of a personal vision where art\, memory\, and consumption intertwine. \nThe works convey energy\, volume\, and identity\, interacting with the viewer through shared cultural references and a highly recognizable aesthetic. \nMaliumbas© and the ecological message\nAt the end of the exhibition path\, an ambient sound installation accompanies Maliumbas©\, a work dedicated to nature and sustainability. \nHere\, Bressani’s language extends to themes of ecology and recycling\, making his art not only an aesthetic object but also a tool for reflection. \nPublic success and cultural value\nThinking Pop was a success in terms of audience and emotional engagement. It represented not only a tribute to the city of Pavia but also an important milestone in Bressani’s artistic journey. \nThe event projected his poetic vision beyond local boundaries\, offering a contemporary perspective in dialogue with the world. URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-palazzo-delle-arti-contemporanee-del-broletto/ LOCATION:Palazzo del Broletto\, Via Comune\, 15\, 27100 Pavia PV\, Pavia\, Italy CATEGORIES:Pavia ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20120229 DTEND;VALUE=DATE:20120301 DTSTAMP:20260916T175707 CREATED:20250704T132032Z LAST-MODIFIED:20251014T131959Z UID:5662-1330473600-1330559999@stefanobressani.com SUMMARY:Pleasure Key Bressani at the Museum of Eroticism in Amsterdam DESCRIPTION:Pleasure Key Bressani at the Museum of Eroticism in Amsterdam\nIn the heart of Amsterdam’s Red Light District\, between architectural and symbolic contrasts\, lies the Museum of Eroticism. Housed in a 17th-century former warehouse overlooking one of the city’s historic canals\, the museum welcomes visitors with a neon sign and a stone plaque reading: “God is mijn Burgh” – God is my castle. An ironic and provocative message\, perfectly in tune with the free spirit of the Dutch capital. \nAn ironic and stimulating context\nThe museum spans three floors dedicated to international erotic art. Among photographs\, illustrations\, videos\, curious objects\, and works by famous artists such as Picasso and John Lennon\, it offers a visual narrative of sexuality\, provocation\, and the aesthetics of desire. In one room\, an erotic version of Snow White is projected on a loop. In another\, a vending machine offers collectible artistic condoms. \n\nPleasure Key Bressani enters the permanent collection\nIn this rich environment of expressive freedom\, in 2012 Stefano Bressani\, known as the “Tailor of Art\,” was invited to present a sculpture in the new section dedicated to contemporary erotic art. The work\, titled Pleasure Key\, is a stylized phallus\, 50 cm high\, covered in gold\, with a base shaped like an antique key. A powerful symbol representing access to pleasure and the key to libido. \nPleasure Key Bressani immediately stood out for its originality. The piece was selected for the museum’s permanent collection\, placed alongside Picasso’s erotic drawings. For the Pavia-born artist\, it was an important recognition\, linking his artistic research to the international scene and an unconventional context. \nA work that continues to surprise\nEven today\, visitors send Bressani photographs taken next to the sculpture. Pleasure Key Bressani has become one of the museum’s most photographed and discussed works. Its strength lies in its ability to combine irony\, provocation\, elegance\, and reflection through the skillful use of fabric\, form\, and symbolism. \nThis exhibition marked a decisive moment in the artist’s career. Three years later\, in 2015\, Bressani was selected to reinterpret Picasso’s Guernica in a sculptural key\, with a work placed in a Spanish collection alongside names like Paolo Baratella and Giovanni Ceribelli. \nPleasure Key Bressani therefore represents a significant node in his poetics: a point of contact between body and art\, provocation and spirituality\, eros and creative intelligence. \n  URL:https://stefanobressani.com/en/evento/pleasure-key-bressani-at-the-museum-of-eroticism-in-amsterdam/ LOCATION:Museo dell’Erotismo\, Oudezijds Achterburgwal 54\, 1012 DP Amsterdam\, Paesi Bassi CATEGORIES:Amsterdam ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-4.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20110409T083000 DTEND;TZID=Europe/Rome:20110521T200000 DTSTAMP:20260916T175707 CREATED:20250703T143643Z LAST-MODIFIED:20251016T125104Z UID:5665-1302337800-1306008000@stefanobressani.com SUMMARY:Museo Piaggio – Sguardi d’artista DESCRIPTION:A two-artist exhibition at the Museo Piaggio in Pontedera\nIn 2011\, the Museo Piaggio in Pontedera hosted Sguardi d’artista\, a two-artist exhibition featuring Stefano Bressani\, the Pavia-born artist known for his Sculture Vestite\, and Roman photographer Giovanna Biondi. The exhibition created an intense dialogue between two different artistic languages\, united by the theme of portraiture and the gaze as a form of narrative and exploration of identity. \nOfficial site Museo Piaggio \n\nMuseo Piaggio: history and cultural significance\nItaly’s largest motorcycle museum\nWith its 5\,000 square meters and over 250 historic vehicles\, the Museo Piaggio is the largest motorcycle museum in Italy and one of the main ones in Europe. \nIn addition to the permanent collection dedicated to Vespa\, Ape\, and the brands Aprilia\, Gilera\, and Moto Guzzi\, the museum hosts temporary exhibitions that open a dialogue between technology\, art\, and culture. \nExhibition spaces and temporary initiatives\nSguardi d’artista* was held in the temporary exhibition space of 340 m². \nInstitutional and cultural value of the exhibition\nThe exhibition held significant institutional and cultural value. Born as a tribute to the memory of President Fanfani\, it saw the participation of the Province of Pisa (Councillor Landucci)\, the Rinaldo Piaggio Foundation (Vice-President Manrico Ferrucci)\, the Municipality of Pontedera (Councillor Liviana Canovai)\, the museum director Sabrina Caredda\, and curator Francesco Mutti. \nStefano Bressani’s works: textile sculptures and the narration of identity\nTechnique and artistic meaning\nBressani exhibited works made from fabrics sourced from everyday clothing\, transformed into three-dimensional sculptures capable of conveying depth\, ambiguity\, and expressiveness. \nHis works reveal a metamorphic-creative tension aimed at unmasking the subject represented and restoring it to an almost sacred dimension. \nThe artist himself describes this process as a counterpoint to the glossy world of the star system\, where celebrity is stripped of its universality to regain authenticity. \nMeeting with Giuseppe Cau and homage to Vespa\nDuring the exhibition\, Stefano Bressani met Giuseppe Cau\, the historic rider who made Vespa famous. From this meeting\, a work was born paying homage to Vespa No. 94 94\, covered with the artist’s fabrics. \nThe piece was later published in one of the Piaggio Foundation’s notebooks (2011–2012) dedicated to Corradino D’Ascanio\, the Vespa inventor. \n“Coffee with the artist” and workshops in local schools\nThe initiative concluded with “Coffee with the Artist\,” a public event during which works created by local school students in workshops led by Bressani were presented. \nOne of these works\, co-signed by the artist and a young participant\, became part of the Museo Piaggio’s permanent collection. \nArt\, memory\, and territory in dialogue\nSguardi d’artista proved to be an authentic opportunity for exchange between art\, memory\, and territory\, consolidating the Museo Piaggio’s role as a dynamic and inclusive cultural center. URL:https://stefanobressani.com/en/evento/museo-piaggio-sguardi-dartista/ LOCATION:Museo Piaggio\, Viale Rinaldo Piaggio\, 7\, 56025 Pontedera PI\, Pontedera\, Italy CATEGORIES:Pontedera ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN.jpg END:VEVENT END:VCALENDAR