BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Stefano Bressani - ECPv6.15.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Stefano Bressani
X-ORIGINAL-URL:https://stefanobressani.com/en/
X-WR-CALDESC:Events for Stefano Bressani
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20140330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20141026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20150329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20151025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20160327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20161030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20171029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20201025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240922T160000
DTEND;TZID=Europe/Rome:20240922T180000
DTSTAMP:20260916T144359
CREATED:20250723T123710Z
LAST-MODIFIED:20251010T145626Z
UID:5460-1727020800-1727028000@stefanobressani.com
SUMMARY:Libreria Bocca and the KUORIDISTOFFA® by Stefano Bressani
DESCRIPTION:Where the Heart of Art beats in the present time\nIn the heart of Milan\, under the majestic vaults of Galleria Vittorio Emanuele II\, Libreria Bocca is not only a historic forge of thought and culture but also a living beacon of humanity. Founded in 1775\, it remains today a crossroads of visions and awareness\, where words become gestures\, encounters\, and dialogue.  \nOn Sunday\, September 22\, 2024\, from 4:00 PM to 6:00 PM\, this space—rich in memory and avant-garde—will host the aesthetic and emotional universe of Stefano Bressani\, the “Tailor of Art\,” for an event entitled: \nFrom Recycling to the Deepest Social Themes\, Toward the Future Starting from the Past but Speaking to the Present. More than a simple inauguration\, it will be a true act of love\, a poetic declaration\, and an invitation to feel.  \nKUORIDISTOFFA®: Art that speaks of Life and Society\nBressani will present his renowned EX VOTO PoP works\, the KUORIDISTOFFA®: totemic creations born from recycled materials\, worn fabrics\, and once-loved garments. In his work\, fabric is never just material—it becomes a narrative of lives\, a memory of bodies\, a trace of emotion. Each sculpture is a heart sewn from fragments\, a profane and ironic reliquary that speaks directly to the collective soul.   \nBressani’s language is unique\, refined\, and deeply contemporary. The KUORIDISTOFFA® are not merely art objects—they are distorting mirrors of our hyperconnected society\, bittersweet reflections of relationships drained of substance and feelings mediated through screens.They were inspired by two teenagers in Amsterdam communicating through smartphones without speaking—transforming into a tender provocation: an invitation to true human connection.   \nArt and sustainability against fast fashion\nIn an era dominated by Fast Fashion—which consumes everything\, even human connection—Bressani performs a revolutionary act: reuse. He restores dignity to what was discarded\, transforming it into eternal art. Against frenzy and forgetfulness\, his works propose a new pop sacredness\, a secular spirituality that speaks to all—young and old\, believers and non-believers\, artists and passersby alike.   \nA symbolic place for a profound message\nThe value of this initiative also lies in its setting: Libreria Bocca\, an ancient and resilient symbol of Milanese culture\, becomes not just a venue but a co-protagonist in a narrative that places the individual\, relationships\, and the heart at its center.\nGiorgio Lodetti\, custodian of the bookshop and tireless cultural promoter\, will welcome the Maestro in conversation with Carlo Motta of CAM – Catalogo Arte Moderna (Cairo Publishing)\, creating a bridge between publishing\, critique\, and artistic vision. \nAn Art that speaks to the soul\nThe KUORIDISTOFFA® remind us—today more than ever—that art can speak the language of the soul. It can amuse us while questioning us\, be beautiful without abandoning truth. \nThrough color\, stitched fabrics\, full forms\, and stories enclosed within\, they teach us to mend even our own lost hearts. \nThe future begins with the past\nThe future Bressani envisions starts with the matter of the past\, intertwines with the urgencies of the present\, and dreams of a renewed humanity: more sensitive\, more aware. Thus\, amid the murmur of the Galleria Vittorio Emanuele\, in that embrace between history and future\, Libreria Bocca becomes the beating heart of an art that still knows how to move and make us reflect.  \nEvent Details:\n\nLibreria Bocca – Galleria Vittorio Emanuele II\, 12 – Milan\nSunday\, September 22\, 2024 – from 4:00 PM to 6:00 PM\nMeeting with the artist Stefano Bressani\nSpeakers: Giorgio Lodetti (Libreria Bocca)\, Carlo Motta (CAM – Cairo Publishing)\nLibreria Bocca Hours: Monday–Sunday\, 11:00 AM – 6:00 PM\nwww.libreriabocca.com\n\n“Even the heart justifies the means” – Stefano Bressani
URL:https://stefanobressani.com/en/evento/libreria-bocca-and-the-kuoridistoffa-by-stefano-bressani/
LOCATION:Libreria Bocca\, Galleria Vittorio Emanuele II 12\, Milano\, MI\, 20121\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-36.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240509T080000
DTEND;TZID=Europe/Rome:20240609T170000
DTSTAMP:20260916T144359
CREATED:20250723T090830Z
LAST-MODIFIED:20251013T100043Z
UID:5467-1715241600-1717952400@stefanobressani.com
SUMMARY:MA-EC gallery Palazzo Durini: Hyper Heroes by Stefano Bressani
DESCRIPTION:“HYPER HEROES – From the deepest web world space” – Hyper Heroes: The silence that runs faster than light\nEntering the world of Stefano Bressani means abandoning the familiar to immerse oneself in a dimension of matter\, color\, layering\, and above all\, idea. \nFrom May 9 to June 9\, 2024\, MA-EC Gallery in Milan hosts his solo exhibition “HYPER HEROES. From the deepest web world space”—a coherent and surprising journey that offers the public an aesthetic\, sensory\, and intellectual experience. \nFractal works and pop archetypes\nThe works on display refuse to be read with a single key: they are visual and conceptual fractals\, reimagined pop archetypes\, distorted and enhanced characters emerging from a parallel universe populated by fragile superheroes and symbols of collective imagination.\nWith his unmistakable textile language\, Bressani creates figures with disproportionate heads\, intrusive hands\, and eyes filled with disarming sweetness—creatures vibrating with tension and irony. \nA disorienting journey without a center\nHYPER HEROES is a carousel deliberately devoid of a center\, a space where reality decomposes to be rebuilt according to new perceptual laws. A journey that begins with the living matter of reclaimed fabrics and extends to profound reflections on identity\, time\, and the contemporary human being. \nThe artistic act becomes thought\, and plastic form turns into narrative. \n“FLASH”: the milestone of the exhibition\nAmid the visual whirlwind of the works stands FLASH\, a monumental sculpture that demands a pause for reflection. A symbol of modernity running in vain\, this ultra-fast yet almost motionless hero represents stolen and endlessly pursued time. \nA silent guardian of a disoriented humanity\, FLASH invites us to reconsider our position in space and time. \nA critique of hyperconnection and visual conformity\nThrough a playful yet incisive language\, Bressani delivers a subtle critique of hyper-connected life\, where identity risks dissolving amid countless roles and images. His works—evocative yet concrete—are born of a mature technique made of interlocks\, cuts\, seams\, and layers\, recalling human anatomy and its scars. \nA unique formal code\nIn his “Planet of Fabrics\,” Bressani traverses art\, design\, fashion\, and architecture in a continuous short circuit between the figurative and the informal. The nail\, a recurring element\, becomes a metaphor for conceptual cohesion—a fixed point in apparent chaos\, an anchor between thought and matter. \nEvery “Hyper Hero” tells a story\nEach character in the exhibition is unique\, telling a different story and serving as a potential mirror for the observer. Here lies the most powerful emotional component: everyone can recognize themselves in these “hyper” superheroes who do not save the world but resist—with imagination and tenacity. \n\n  \nA message of depth and humanity\nAs Bressani himself says: \n“Perhaps it doesn’t matter how fast you choose to run; what matters is understanding that every journey leaves a profound meaning.” \nIn a time that demands speed over presence\, HYPER HEROES invites us to slow down\, look beyond the surface\, and rediscover our most authentic selves. In an age dominated by the superfluous\, Stefano Bressani’s art restores the courage to believe in the transformative power of beauty\, craftsmanship\, and ideas. \nAnd perhaps\, as the artist suggests\, true heroism today is knowing how to be human. \nFurther insights:\n\nEvent poster: click here\nPresentation by Elisabetta Roncati: click here\n\n\n  \n 
URL:https://stefanobressani.com/en/evento/ma-ec-gallery-palazzo-durini-hyper-heroes-by-stefano-bressani/
LOCATION:MA-EC Gallery Milano 米兰国际艺术中心\, Palazzo Durini di Monza\, Via Santa Maria Valle\, 2\, Milano\, MI\, 20123\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2024-MILANO-MA-EC-GALLERY-HYPER-HEROES-STEFANO-BRESSANI-FOTO-G.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220329T080000
DTEND;TZID=Europe/Rome:20220329T170000
DTSTAMP:20260916T144359
CREATED:20250722T130544Z
LAST-MODIFIED:20251016T090141Z
UID:5512-1648540800-1648573200@stefanobressani.com
SUMMARY:Salotto Bocca in Galleria – Talk at Galleria Vittorio Emanuele II\, Milan
DESCRIPTION:SKULTOCITY: Milan embraces Stefano Bressani’s three-dimensional vision\nMilan\, the capital of Italian cultural avant-garde\, opens its doors to a new stage in the creative journey of Stefano Bressani\, international artist and creator of the renowned Sculture Vestite. For the first time in the Lombard capital\, at Libreria Bocca in Galleria Vittorio Emanuele II\, the graphic side of SKULTOCITY is presented — a project born in 2019 that has become a symbol of an artistic vision uniting art\, fashion\, and architecture. \nA project born from a symbolic city\nThe idea took shape in a special year: 2019\, when Matera was the European Capital of Culture. It was there that Bressani was awarded the title of Enlightened Man\, and his work entered the permanent collection of the Museum of Modern Art\, marking the international debut of SKULTOCITY. \n \nMilan\, graphics\, and the new skin of art\nToday\, SKULTOCITY arrives at the historic Libreria Bocca in Galleria Vittorio Emanuele II\, Milan’s cultural heart. \nIn this space\, rich with history and contemporary vision\, Bressani presents the graphic version of the project: less material\, but equally intense and penetrating. His boards depict an ideal city\, suspended between dream and geometry\, where graphics are not a derivative\, but a new language capable of expanding the concept of Sculture Vestite. \nPaper as skin: architectures of the soul\nIn SKULTOCITY\, paper becomes a thin\, porous skin. Each graphic work invites viewers into a landscape of the soul\, where forms and colors create a symbolic and dreamlike map. \nA recurring moon appears throughout the works: not to illuminate\, but to open space-time gateways\, emotional portals to traverse with both gaze and heart. \nA dialogue between art\, culture\, and the future\nThe event is part of Il Salotto di Bocca in Galleria\, Giorgio Lodetti’s cultural project that transformed the bookstore into a platform for exchange and cross-pollination across generations and languages. \nThe meeting between Lodetti and Bressani\, moderated by Carlo Motta (Editorial Director of CAM – Catalog of Modern Art)\, became a living example of how art can still inspire dialogue\, reflection\, and renewal today. \n\n\nAn evolving language\nThe pandemic has redefined our relationship with space\, boundaries\, and matter. SKULTOCITY responds with a vision that reconnects identity\, moving from fabric to line\, from volume to surface. The graphic boards are now officially part of CAM\, confirming their importance in the contemporary art scene. \nAn invitation to imagine\nMilan is not only the skyline reflected in skyscrapers: it is also a visionary gaze\, a capacity to transform matter into poetry. In this context\, SKULTOCITY is not merely an artistic project\, but a cultural proposal to read the present and imagine new cities\, real or interior.
URL:https://stefanobressani.com/en/evento/salotto-bocca-in-galleria-talk-at-galleria-vittorio-emanuele-ii-milan/
LOCATION:Libreria Bocca\, Galleria Vittorio Emanuele II 12\, Milano\, MI\, 20121\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/2022-MILANO-SALOTTO-LIBRERIA-BOCCA-FOTO-E.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210904T080000
DTEND;TZID=Europe/Rome:20210910T170000
DTSTAMP:20260916T144359
CREATED:20250717T071626Z
LAST-MODIFIED:20251013T153806Z
UID:5523-1630742400-1631293200@stefanobressani.com
SUMMARY:Dressing Depero by Stefano Bressani at Milan Design Week
DESCRIPTION:Dressing Depero by Stefano Bressani at Milan Design Week 2021\nDressing Depero by Stefano Bressani is the title of the work presented at the 2021 Milan Design Week: a visceral tribute to the Futurist vision\, between sculpture\, fashion\, and material. \n“Dressing Depero”: when art dresses in the future\nDuring Milan Design Week 2021\, the Expowall Gallery hosted an artistic project capable of breaking boundaries between art\, fashion\, and design. With Dressing Depero\, Stefano Bressani reinterprets the iconic figure of L’Omino che Beve by Fortunato Depero\, transforming it into a three-dimensional work of striking visual and conceptual impact. \nIt is not merely a homage to Futurism\, but a genuine dialogue between eras\, languages\, and masters: a work in which the present dresses the past and projects it toward new forms of expression. \nRead “The theater of appearance (Homage to Depero)” by Robert Phillips \n  \n  \nWhen art wears fabric\nIn Dressing Depero\, Bressani makes a radical gesture: he dresses the Futurist figure with his unmistakable Sculture Vestite technique\, transforming a twentieth-century icon into a sartorial artifact that unites form\, matter\, and concept. \nFabric — the artist’s chosen medium — becomes a language. Every fold\, every weave tells not only of aesthetics but of a profound reflection on identity\, transformation\, and the narrative power of material. \nThe object is no longer just an object: it becomes an experience\, a visual performance\, a living artistic act. \nA bridge between tradition and innovation\nThe strength of this work lies in its balance: the lightness of fabric meets the energy of Futurism; the precision of form embraces Bressani’s creative freedom. \nIn this fusion\, art is no longer representation but environment — no longer static\, but a living coexistence of past and present. Fabric\, like the artist’s vision\, is in constant motion. \nGiovanni Gastel’s photography: art within art\nAdding further significance to this tribute is the collaboration with Giovanni Gastel\, master of Italian photography\, who captured and immortalized the essence of the work in a timeless shot. \nThe result is a photograph that is both document and poetry — an iconic portrait that forever seals the encounter between two visions\, two generations\, two artistic worlds. \nRead “Letter to Giovanni Gastel” \nBeyond design: a declaration of intent\nDressing Depero is not merely an artistic project; it is a poetic statement. An invitation to go beyond the limits of the familiar\, to play with matter\, to merge disciplines\, to dress art in new perspectives. \nThrough his work\, Bressani reminds us that true art is born from the courage to reinvent oneself\, from fidelity to one’s roots\, and from the will to shape the present through the memory of the past. A creative journey made of intuition\, technique\, vision\, and passion.
URL:https://stefanobressani.com/en/evento/dressing-depero-by-stefano-bressani-at-milan-design-week/
LOCATION:Expowall Gallery\, Via Curtatone\, 4\, 20122 Milano MI\, Milano\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/Main-25.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210329
DTEND;VALUE=DATE:20210330
DTSTAMP:20260916T144359
CREATED:20250718T074452Z
LAST-MODIFIED:20251016T094234Z
UID:5543-1616976000-1617062399@stefanobressani.com
SUMMARY:The Sant’Ambrogio Bell by Stefano Bressani in Milan
DESCRIPTION:The Sant’Ambrogio Bell by Stefano Bressani in Milan\nIn the heart of Milan\, where tradition meets modernity\, stands a work that celebrates a universal message: justice\, beauty\, and rebirth. The Sant’Ambrogio Bell\, signed by Stefano Bressani—known as The Tailor of Art—is much more than a sculpture: it is a profound call to spirituality and balance. \nA saint dressed in art\nWith his Sculture Vestite technique\, Bressani reinterprets the figure of Saint Ambrose\, transforming him into a symbol of justice and mercy. Fabric\, color\, and volume intertwine in a powerful and contemporary visual language\, capable of speaking even to those unfamiliar with the Saint’s story. \nA cultural journey through the heart of Milan\nThe work was the centerpiece of a citywide event held from March 29 to Easter Sunday\, a date coinciding with the anniversary of the Saint’s death (April 4\, 397). The project involved symbolic locations such as Piazza Duomo\, Castello Sforzesco\, and the Pinacoteca di Brera\, creating an itinerary designed to awaken Milan’s artistic sensitivity. \nThe sound of the bell and the symbolic gesture\nAt the heart of the work is the bell: not just a physical object\, but a sound and a symbol. It calls for reflection on justice\, represented by the book that Saint Ambrose holds on the scales—an emblem of balance between good and evil\, authority and compassion. \nThe nail and the cross: recurring symbols\nThe nail\, a distinctive mark in Bressani’s works\, becomes here the pivot holding together the world’s contradictions. The Christian cross\, meanwhile\, transforms into a message of hope\, projected ideally toward infinity. \nA message for Milan and the world\nThe project is accompanied by a documentary video narrated by Vittorio Sgarbi\, inviting viewers to look beyond the surface to grasp the deeper values the work conveys. \n  \n\n  \nBeauty is useful; it’s not a romantic idea. Beauty helps make people better and can change the world. True beauty can save us all\, Milanese or not\, one by one. \n— Renzo Piano\n\nThe Sant’Ambrogio Bell by Stefano Bressani thus becomes a symbol of hope\, justice\, and renewal. A work that speaks to the city and to the world\, suggesting that beauty truly has the power to transform reality. \n  \n\n  \n 
URL:https://stefanobressani.com/en/evento/the-santambrogio-bell-by-stefano-bressani-in-milan/
LOCATION:Pinacoteca di Brera\, Via Brera\, 28\, 20121 Milano MI\, Milano\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20160412T080000
DTEND;TZID=Europe/Rome:20160415T170000
DTSTAMP:20260916T144359
CREATED:20250710T085019Z
LAST-MODIFIED:20251014T091438Z
UID:5608-1460448000-1460739600@stefanobressani.com
SUMMARY:Stefano Bressani at Casa Milan – Fuori Salone 2016
DESCRIPTION:Colours of fabrics sound: Stefano Bressani at Fuori Salone 2016\nDuring the 2016 Fuori Salone\, Casa Milan hosted Colours of Fabrics Sound\, an exhibition by the artist from Pavia\, Stefano Bressani. The show celebrated the fusion of art\, fabric\, and sound\, bringing to Milan ten works capable of engaging the senses in a unique experience.  \nFamous for his Sculture Vestite\, the artist presented a symbolic and multisensory vision where fabric and sound dialogue\, giving life to works charged with meaning and poetic tension. \n \n“Maliumbas Nature Sound”: the sound sculpture\nAmong the most representative works of the exhibition stands Maliumbas Nature Sound (2016): a 280 cm sculpture covered in colorful fabrics and equipped with a Bose audio system. More than an art object\, it is a musical instrument that embodies the artist’s synesthetic vision\, merging sight\, touch\, and sound into one aesthetic experience.  \nFabric\, nails\, and dynamism\nBressani’s sculptures are made from tailored fabrics assembled without seams and held together by symbolic nails. In Fighting (2016)\, the energy of athletic movement merges with his plastic research\, bringing motion to the stage.  \nThe contrast between rigid materials and soft textiles reveals an aesthetic built on dualities: organic/inorganic\, solid/fragile — a language that escapes traditional definitions. \nBetween Pop Art and nature: icons and symbols\nWorks such as Fiat F2 and White Caddy (2014) pay homage to the automotive world\, while Regal Horse and the On My Fingers series (2013–2014) introduce a natural dimension through symbols like the frog — an icon of transformation and adaptability. \nAn aesthetics of inconsistency\nBressani’s creative process is born from musical and instinctive impulse. His works follow no fixed scheme: they emerge from emotional suggestions and contrasts. The result is an art to be listened to\, touched\, and lived.   \nColours of Fabrics Sound is not just an exhibition but a poetic proposition — an invitation to rediscover art as a daily and immersive experience. \n 
URL:https://stefanobressani.com/en/evento/stefano-bressani-at-casa-milan-fuori-salone-2016/
LOCATION:Casa Milan\, Via Aldo Rossi\, 8\, 20149 Milano MI\, Milano\, Italy
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150916
DTEND;VALUE=DATE:20150917
DTSTAMP:20260916T144359
CREATED:20250707T095551Z
LAST-MODIFIED:20251016T124345Z
UID:5616-1442361600-1442447999@stefanobressani.com
SUMMARY:Stefano Bressani at the Qatar pavilion at Expo 2015
DESCRIPTION:An immersive pavilion of culture\, tradition\, and innovation\nDuring Expo Milan 2015\, the Qatar pavilion stood out for its narrative strength and the intensity of the experience offered to visitors. The pavilion was conceived as an immersive journey\, where visitors could engage with traditional music\, dance\, and flavors. In particular\, the sofra — the typical Arab table symbolizing hospitality and sharing — was celebrated. \n\nSymbolic architecture and sustainable technologies\nThe pavilion’s architecture evoked an ancient palace-fortress. Four corner towers and a monumental entrance staircase defined its visual impact. At the center stood a large jafer\, the traditional food basket\, transformed into a true architectural installation measuring 11 meters in diameter and 8 meters in height. The structure also adopted sustainable technologies\, demonstrating Qatar’s commitment to environmental responsibility and food culture. \nMeeting Stefano Bressani: art and cultural exchange\nIn this evocative context\, Stefano Bressani engaged with the Qatar pavilion. The artist\, renowned for his Sculture Vestite\, was invited to explore the exhibition spaces and immerse himself in the pavilion’s evocative atmosphere\, reminiscent of an authentic Arab souk. His meeting with Mohammed Al Bloshi\, a prominent figure in Qatar’s banking and petroleum sectors and spokesperson for Expo Italy\, fostered a valuable artistic and cultural dialogue. \nA work dedicated to the Arabian horse\nBressani wished to pay tribute to Qatar with a work inspired by the Arabian horse\, a symbol of strength\, elegance\, and tradition. The horse is deeply rooted in the country’s culture\, with Qatar recognized internationally for its equestrian tradition. The country also hosts modern facilities and high-level sporting competitions\, reinforcing its role in the world of equestrian sports. \nA dialogue looking to the future\nThe experience at Expo left Bressani with a strong desire to continue the cultural and creative dialogue with Qatar. He hopes to organize a solo exhibition in the country\, an event that would strengthen the ties between these two different worlds\, united by a shared vision: promoting culture and innovation through art.
URL:https://stefanobressani.com/en/evento/stefano-bressani-at-the-qatar-pavilion-at-expo-2015/
LOCATION:Expo 2015
CATEGORIES:Milan
ATTACH;FMTTYPE=image/jpeg:https://stefanobressani.com/wp-content/uploads/2025/07/MAIN-9-e1751890507416.jpg
END:VEVENT
END:VCALENDAR